First-Year MFA Creative Nonfiction Mentor
Alissa Wilkinson is a critic at The New York Times and a First-Year MFA Creative Nonfiction Mentor. She has been writing about the film industry and arts since 2005, covering themes such as comedy, climate policy, and global warming. Alissa is featured in numerous publications, including Vox, The Dallas Morning News, and The Salt Lake Tribune.
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Alissa Wilkinson’s coverage predominantly consists of movie reviews, event coverage, and expert commentary within the film industry. She seems to be interested in unique perspectives on movies, particularly those that have cultural or societal implications.
Given her focus on lifestyle and entertainment themes like film, Oscars, movie reviews, Hollywood, and pop culture; she would likely appreciate pitches from experts who can provide insightful analysis into emerging trends in the film industry or offer a fresh take on popular culture phenomena related to cinema.
As Alissa doesn't have a specific geographic focus mentioned but covers international aspects of films and entertainment-related topics. Therefore, consider providing insights that are globally relevant rather than region-specific when reaching out to her with pitches.
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A sprawling three-pronged Spanish epic reads the past to find meaning in the present, but can’t quite find its ending.
A lush new adaptation of Jane Austen’s novel leans into youth and money troubles.
By: Jason Zinoman, Alissa Wilkinson
“You Can See Everything” has been described as “bonkers.” Our critics have their own thoughts, and we’d like to hear your reactions, too.
By: Jason Zinoman, Alissa Wilkinson
When the surprise premiere of "You Can See Everything" upended the Telluride Film Festival in September, gobsmacked attendees described the film as bonkers, to use the word our reviewer does.
By: Alissa Wilkinson
A dynamite John Turturro plays an aging thief who runs into trouble and looks for help from his friends.
(Critic's Pick)
By: Alissa Wilkinson
(Documentary Lens)
A gorgeous and devastating documentary follows a father obsessively looking for his missing son.
Alissa Wilkinson (Critic's Pick) Five minutes into "Closure," I had to check my notes, briefly -- this was a documentary, right?
Juliette Binoche stars in a heart-wrenching drama about dementia that is harrowing to watch.
