Daarel Burnette is a Senior Editor at Chronicle. He specializes in theater, including plays and musicals, as well as education and school preservation. His work has been featured in the Star Tribune and Education Week.
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Daarel's coverage spans a variety of cultural and educational themes, with an emphasis on theater reviews and government announcements related to education. If you are pitching to Daarel, consider providing unique perspectives or exclusive access related to the preservation of historically significant schools during segregation era, as well as insights into the impact of government policies on school districts.
Given Daarel's focus on theater reviews and cultural events, pitches could include new productions that tackle relevant social issues or provide innovative approaches in storytelling. Additionally, experts who can offer insights into how educational institutions are adapting to current challenges may also be of interest.
While geographic focus is not specified for Daarel’s reporting, his articles cover topics with broader societal implications that go beyond regional boundaries.
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In this wonder of a script about racism, playwright Psalmayene 24 gives his characters lines that are poetic and biting and knee-slapping funny.
The bonding and intimacy between a Black gay man and his white stepson who share a love of vintage horror films.
Stunning, unflinching reflection on 2017 'Unite the Right' rally, counter-protests, and local and national fallout, devised from interviews with multiple witnesses.
A perceptive and funny, if sometimes meandering, account of growing up Palestinian-American in Dearborn, Michigan.
The superb acting will resonate with LGBTQ and straight audiences alike.
There's a reason August Wilson’s work has been replicated thousands of times. His plots are engrossing. His characters are relatable. His dialogue is masterful.
There's a reason August Wilson’s work has been replicated thousands of times. His plots are engrossing. His characters are relatable. His dialogue is masterful.
The conviction the actors deliver is the type that only real-life experience could bring to the stage.
Pulizer Prize winner James Ijames based the play on his time in DC neighborhoods.
Director Rikki Howie Lacewell does with Black history what more artists should: complicate, elevate, and force us to reflect on our varied roles.
