Emma Keates

First Good Luck, Have Fun, Don't Die teaser is a melting pot of sci-fi genres

Kimmel's bandleader and "older brother" died Tuesday at 59 years old.

Red heels? In a The Devil Wears Prada 2 teaser? Groundbreaking.

Joyce Carol Oates may doubt that Musk reads or experiences any basic human pleasure, but his own AI claims "his library rivals ancient scrolls."

The genre may be ailing elsewhere, but it's getting new life at YouTube.

In now-viral footage, Cynthia Erivo helped shield her co-star after Johnson Wen jumped a barricade.

✕ Remove Ads Emma Keates decided she wanted to be a TV writer when she hit publish on her first post on the Lost forums in middle school, and she hasn't looked back since.

NBC had a big problem in the '70s; TV audiences wanted to spend their days — happy or otherwise — with a completely different network. Two separate ABC properties, "Happy Days" and "Laverne & Shirley," were already leaving their marks as the defining TV shows of the'70s, starting 1976 as the first and second most viewed shows in America, respectively. What was a network to do in the face of this complete ratings blowout?

The fact that parents had complaints about "The Twilight Zone" isn't all that surprising. The 1959 anthology series was genuinely scary, particularly, one would imagine, for those with tots running around. It wasn't the Season 3 episode where a young boy terrorized his entire town or the Season 5 episode in which two neglected children abandoned their parents forever that inspired the show's most notable parental complaints, however. According to producer Archible Ernest "Buck" Houghton Jr., parents were mostly upset that the series aired so late.

If you've watched a Western TV show in the past eight years, there's a good chance its existence is tied to "Yellowstone." The success of Taylor Sheridan's flagship drama led to an explosion of imitators like "Ransom Canyon," "American Primeval," and more. With all the cowboys and cowgirls riding around right now, you'd be forgiven for losing track of which shows actually belong to the Taylor Sheridan-verse — titles like "Landman," "1883," and "The Madison" — and which are merely guests at the rodeo. But while they say imitation is the sincerest form of flattery, Sheridan isn't so sure.