Emma Madden is a Contributor at various notable publications. She focuses on the intersections of arts and entertainment, including music, film, and theater, while also covering topics related to celebrities and cultural events. Emma's work has been featured in esteemed outlets such as Vulture, The New York Times, and BBC World.
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Emma Madden’s focus on music and entertainment, with a specific emphasis on rock music, suggests she would be receptive to pitches related to this genre. Given her coverage of the "25 most covered rock songs of all time", she may appreciate pitches that offer new insights into classic rock or trends in cover performances.
As Emma covers both music artists and music albums, consider reaching out with stories about emerging talents or unique album releases within the realm of rock music. Additionally, considering her focus on entertainment news, identifying unique angles related to significant events such as tours or festivals could also capture her interest.
Since there is no specified geographic focus for Emma's articles, it is likely that she has an international perspective when covering topics in the entertainment industry.
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Almost three decades ago, Joe Timko and Randy Neece were wandering through Disneyland, saw Goofy trailing around the gardens and made the connection.
By: Emma Madden
With bone-shaped pools, a chauffeured shuttle service and sprawling fantasy playgrounds, this canine retreat is like no other.
Emma Madden I was petsitting recently for a white suburban family, with the typical streaming habits therein.
The latest in our series of writers picking their go-to comfort films is a grimy and gory trip back to the start of a surprisingly uplifting torture porn franchise
Emma Madden The last time Slayyyter toured, in 2023, she struggled to break even and had to fly home boxes of unsold merch.
Dakota Fanning has spent much of her career being asked to prove that she has grown up.
The late singer/songwriter/icon's body of work spoke to every aspect of our lives, from class consciousness to death, heartbreak, and everlasting love.
By: Emma Madden
Ahead of playing Rodrigo’s Daisy Chain Fields, artists explain why female-first festivals are due for a resurgence
By: Emma Madden
When I first saw the poster for Olivia Rodrigo 's inaugural Daisy Chain Fields festival in June, I assumed it was AI.
By: Emma Madden
For more than three decades, Liz Phair and Sleater-Kinney existed in parallel without ever quite meeting.
