Erica Jeal is the Deputy Editor at Opera and a music critic for The Guardian. She specializes in arts and entertainment, with a particular focus on music genres and theater, exploring the dynamic interplay between plays, musicals, and the broader music landscape. Erica's work has been featured in The Guardian, Yahoo News UK, The Armenian Mirror-Spectator, MSN, Magzter, and AOL UK.
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Erica Jeal’s focus is predominantly on providing reviews within the classical music and entertainment domain. She concentrates on evaluating performances, albums, opera, and concerts. If you have upcoming classical music events or album releases that would benefit from a review or if there are notable trends in the industry worth reviewing, reaching out to Erica could be beneficial.
Given her expertise in critiquing musical performances and albums, she may be interested in receiving press releases about new album launches or concert tours featuring classical musicians. Offering access to exclusive previews of such events can also enhance your pitch to her.
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By: Erica Jeal
A cellist, a horn player and a soprano saxophonist walk into the Royal Albert Hall … it could be the setup for an exceptionally nerdy joke, but
By: Erica Jeal
The finalists from the BBC young musician of 2016 have teamed up with a Mercury-nominated composer to craft a Proms premiere that’s uplifting, lyrical and goes out with an almighty bang
By: Erica Jeal
Dennehy’s Limina, based on areas of the body, is firmly grounded in the harmonic series, and sparklingly executed here, while Stephen Waarts gives a bravura performance of the Violin Concerto
By: Erica Jeal
Period instrument grain and an energised Jakob Lehmann did a fair job with Berlioz’s concert setting of the drama, but the hall’s murky acoustic buried some of the sparkle
By: Erica Jeal
Berlioz wrote his setting of the Faust story for concert performance, counting on the fact that what went on in his audience's mind's eye would be
By: Erica Jeal
Elgar’s Enigma Variations sounded fresh and striking in the German orchestra’s reading, while Tchaikovsky’s fourth symphony was thrilling and monumental
By: Erica Jeal
When Steve Reich wrote Tehillim, half his long life ago, it was a very modern contribution to the ancient tradition of psalm singing.
By: Erica Jeal
The Gesualdo Six brought focus and luminous tone to a sequence of early devotional music; Reich’s Tehillim made a mesmeric and ecstatic pairing
By: Erica Jeal
Wang’s avatar performs music from Ravel and Debussy to Prokofiev and Liszt while dizzying virtual worlds take shape around her in this virtual reality installation
By: Erica Jeal
Wang's avatar performs music from Ravel and Debussy to Prokofiev and Liszt while dizzying virtual worlds take shape around her in this virtual reality installation
