Grace Ebert

Stumbling upon a battered end table or lost mitten is an opportunity for magic in Woo Jin Joo ’s mind. The Seoul-born artist is known to gather furniture, garments, and other objects that have been left behind while walking near her home in London or commuting to her studio in Deptford. “I am not actively looking for anything in particular, but I discover them by happenstance, and they become meaningful; they provoke my imagination,” she says. “This is how I feel like we conjure meaning in our lives.”

Meditating on the connection between physical spaces and the feelings and memories bound within them is central to Ann Toebbe's practice.

Now on view in Austin, the Haas Brothers' mid-career retrospective plunges visitors into their fantasy world.

Robin F. Williams extrapolates on the ways humanity and machines could merge, capturing a strange techno-dystopia.

Nested in a natural lava cave in Mexico City’s Pedregal de San Ángel region, a sprawling, mosaic-laden domicile was once home to Juan and Helen Fowler O’Gorman, an architect and artist, respectively. The pair designed the icon of modernist Mexican architecture, called Casa Cueva, in 1954, although it was largely destroyed after the couple sold the home in 1969.

CDOT completed the wildlife-only bridge, the largest of its kind currently in North America, in December 2025.

Nested in a natural lava cave in Mexico City's Pedregal de San Ángel region, a sprawling, mosaic-laden domicile was once home to Juan and Helen Fowler O'Gorman, an architect and artist, respectively.

Street Photography Africa compiles hundreds of images from 33 photographers who document cultural moments and everyday fashions and routines.

Like many artists, Rose Sanderson began a body of work during the early days of the pandemic as a sort of balm for the harsh realities of the world. “I started playing with escapism and imagination, mixing reality and fiction, and the blurring of childhood memories and nostalgia,” she says of her surreal paintings on vintage postcards. “Many of the images are in seaside towns, influenced by growing up in one myself through the ’80s and ’90s.”

In its current form, the global transition away from fossil fuels will depend on the earth’s rare minerals. According to ClimateWorks, we’ll collectively need to mine 6.5 billion tons of cobalt, copper, lithium, nickel, and other materials before 2050 in order to keep up with energy demands. Most of these resources are found in regions already facing the greatest impacts of the climate crisis, from Chile’s Atacama Desert to Indonesia’s nickel reserves to the cobalt deposits of the Democratic Republic of Congo.