Grayson Haver Currin is a Reporter/Editor at various prominent publications. He specializes in music writing and adventure travel, contributing to outlets such as The New York Times, Pitchfork, and Outside, where he combines his passions for travel and tourism with engaging storytelling. Grayson has been featured in notable publications including The Sydney Morning Herald, Rolling Stone, and NPR.
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Grayson Haver Currin's articles cover a mix of entertainment news, particularly music-related topics, and outdoor adventure themes such as hiking and thru-hiking. Given this focus, Grayson is likely to be interested in pitches related to unique or niche aspects of the music industry, especially those that delve into lesser-known artists or explore behind-the-scenes stories.
For outdoor adventure topics, Grayson may respond well to pitches featuring unconventional hiking routes, gear innovations relevant to long-distance hikers (thru-hikers), and human-interest stories about individuals involved in outdoor adventures.
Given the variety of his coverage attributes (private sector announcements, event coverage, press releases), it seems he might be interested in exclusive features on new product launches within the entertainment or outdoor industries.
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By: Grayson Haver Currin
Everyone in the amorphous drone rock collective Water Damage understood their marching orders late last April: They would play their early afternoon set at Austin Psych Fest in 4/4 time. They’d practiced it and even clued in the day’s special guest, Butthole Surfers drummer King Coffey, to one of the few concrete plans for their 35-minute performance. So just before 2 p.m. on that Saturday, Greg Piwonka counted out the beat and began pounding.
Less than a year after their madman guitarist Brent Hinds died in a motorcycle crash, the Georgia metal band's surviving members square up to their complicated feelings about him on their bracing new album Marrow Deep
Making his solo debut at age 72, the KLF collaborator and longtime Triffids member offers an exquisite picture of the pedal steel's emotional ambiguity.
The guitarist wields his perennial outsider status to toy with the sound, the spirit, and the idea of American primitive. Trending Now
Spurred on by producer Kenneth Blume, Weezer get back in a room together to write rock songs that wallow, reminisce, and, very occasionally, wow.
By: Grayson Haver Currin
Brittany Howard's blues-soul trio Alabama Shakes take on Trump's America on their first new album in over a decade, I Must Be Dreaming.
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible.
On their fourth album since reuniting, Greg Dulli and co. seem animated by a desire to keep learning, pushing the soul-grunge of their past into more graceful territory.
A year after his mother died of an overdose, the boundary-breaking bluegrass guitarist returns with an idiosyncratic and personal new record.
Phish took its time during an exploratory Dick’s finale featuring “Fuego,” “Melt the Guns” and “Tweezer Reprise.”
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