By: Harry Haun
After decades of collaboration, the pair reunite at La MaMa for a world premiere that challenges audiences to reckon with the cost of surrendering individual agency to collective automation.
Harry Haun is a Theater and Film Critic at Observer and Playbill. He specializes in the critique of plays and musicals, bringing a veteran perspective to the vibrant world of theater and film. His insights and reviews have been featured in prominent publications, solidifying his reputation in the industry.
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Harry Haun focuses on local entertainment news, particularly Broadway and theater productions in New York City. He seeks expert commentary about the latest shows, actors, directors, and debuts. If you have insights or insider information about upcoming Broadway productions, interviews with renowned actors or directors related to their work on stage performances in New York City may be of interest to him.
Given his focus on local coverage within the entertainment industry, pitches should relate specifically to events and personalities relevant to Broadway and live theater in New York City.
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