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Ilana Lucas
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Ilana Lucas

Journalist

AS SEEN ON
BroadwayWorld.com, The Globe and Mail

Preston's Summary

Ilana Lucas is a journalist at BroadwayWorld.com. She covers arts and entertainment with a focus on theater, including plays and musicals, drawing on her extensive background as an English professor and her experience as a dramaturg and playwright. Ilana's work has been featured in Intermission Magazine TO, The Globe and Mail, and the Toronto Star.

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Geo Focus

Toronto, Canada (Local)

Coverage Attributes:

Beta
Opinion: 40 %
Reviews: 33 %
Informative: 14 %
Interviews Q&as: 8 %
Events: 1 %

Themes Covered:

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Most Recent Topics:

  • Plays & Musicals

Pitching Insights

Ilana Lucas primarily covers theater and performing arts, focusing on play reviews and interviews. She might be interested in pitches related to upcoming plays, musicals, or theater events that offer the opportunity for review or interview coverage. If you have insights into the latest trends or developments in the theater industry, particularly within Toronto's entertainment scene, she could find them valuable.

Considering her predominant focus on reviewing theatre productions and conducting interviews with key figures in the performing arts industry, it would be beneficial to tailor your pitch around these areas. It is important to note that Ilana concentrates her coverage mainly within Toronto's theatrical landscape.

This information evolves through artificial intelligence and human feedback. Improve this profile .

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Articles

BroadwayWorld.com

Interview: Ilana Khanin of YOU MUST CHANGE YOUR LIFE at Alumnae Theatre

Interview: Ilana Khanin of YOU MUST CHANGE YOUR LIFE at Alumnae Theatre

By: Ilana Lucas

When it comes to experimental theatre in North America, few have a legacy as long, dedicated, and influential as Richard Foreman. When Foreman died in 2025, he left an archive of over 50 years of work from his Ontological-Hysteric Theatre company, founded in 1968. Foreman’s theatrical explorations prioritized immediacy and the present over a fixed sense of narrative, focusing on the process of the play’s creation and the audience’s interpretation.

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