Jazz Monroe is an Associate Staff Writer at Pitchfork. He covers a diverse range of topics within the arts and entertainment sphere, including music, film, theater, and pop culture, with a particular focus on the music business and cultural movements. Jazz's work has been featured in The Guardian, The Independent, Yahoo News, Pitchfork, and MSN.
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Jazz Monroe's articles primarily focus on music events, artist announcements, and entertainment news. Based on the coverage attributes and topics covered, he would be most responsive to pitches related to new music releases, concert tours or festivals featuring indie artists, as well as exclusive interviews with musicians.
Considering his emphasis on private sector announcements and press releases, Jazz may also welcome pitches from publicists representing independent artists or record labels announcing significant events such as album launches or tour schedules.
Given that there is no specific geographic focus mentioned for Jazz Monroe's coverage area, international artists' promotion efforts could also align well with his scope of interest in the music industry.
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Out September 25 via Anthony Gonzalez’s own Other Suns label
The composer and multi-instrumentalist brings along Meshell Ndegeocello and Macie Stewart for his International Anthem/Nonesuch debut
“We marched up to our label over email…. like, ‘How long have all our fuckin’ fans been fake, you sons of bitches?’” says Cameron Winter
The Deerhunter maestro’s Atlas Sound project returns next weekend at Making Time ∞ festival
The pair reunite after 13 years on Aiko’s new album Westside Whimsy
Listen to the indie rock titans’ respective takes on “Barstool Blues” and “Like a Hurricane”
By: Nina Corcoran, Kiana Mickles, Hattie Lindert
Also stream new releases from Haruomi Hosono and Sylvan Esso With so much good music being released all the time, it can be hard to determine what to listen to first.
Justin Vernon celebrates the breaded treats of Minnesota’s Howards Bar in a terrifically, terrifyingly jaunty tune
The Killers and Olivia Dean had been slated to headline the Santa Monica fest’s inaugural edition
“Ed was in a fucked up position,” the rapper said in a statement alleging Sheeran bowed to pressure from Robert Kraft
