Jen Zoratti is a Music Editor at Winnipeg News. She specializes in arts and entertainment, covering a range of topics including theater, fine art, and urban art, while also exploring themes related to media and animal welfare. Jen's insights and writings have been featured in the Winnipeg Free Press and The Brandon Sun.
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Winnipeg, Canada (Local)
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Jen Zoratti's articles predominantly cover local events, entertainment news, and arts in Winnipeg, with a focus on event coverage and expert commentary. When reaching out to her, consider providing insights or commentary related to upcoming local events, art initiatives, or entertainment news happening within the city of Winnipeg. Also valuable would be perspectives from experts in the field of entertainment or arts who can provide meaningful commentary on relevant topics pertaining to the local scene.
Given her emphasis on Winnipeg-specific content and expertise-driven commentaries around events and cultural developments within the city, pitches should tie closely into these themes for increased relevance.
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There is an organ in Germany that is playing one composition until 2640. Read this article for free:
By: Jen Zoratti
As a curator and head of collections and exhibitions at WAG-Qaumajuq, Riva Symko has been contemplating landscapes in art for a long time. But living in an ever-changing and ever-threatened one has altered her perspective on them.
Could you imagine a Canada without Mr. PG repping Prince George, B.C.? Or the Big Nickel in Sudbury? Or, my personal favourite, Happy Rock in Gladstone?
When I saw Dolly Parton perform in Winnipeg in September 2016, I tried, like many people, to take photos.
In 2012, just as I was leaving the Tate Modern in London, I noticed an exhibition that I had nearly missed: The Obliteration Room by Yayoi Kusama, the famed Japanese artist with the bright-red bob known for her use of repetition and polka dots.
By: Jen Zoratti
Last summer, Michelle Finley was going about a normal day.
I wish I could tell you the first time I heard the word “feminist,” it was from Gloria Steinem, but it was definitely from a Spice Girl.
By: Jen Zoratti
Xiumei Li had a friend who had been on the dating scene for a while.
For the past few years, Winnipeg visual artist Emilie St-Hilaire has been fascinated by the way humans relate to artificial bodies — dolls, robots, mannequins — through play, care and connection, and how those synthetic relationships can produce very real emotions in humans.
I first saw Come From Away — the true-story musical about the incredible efforts of the residents of Gander, N.L. on Sept. 11, 2001, who welcomed
