Jim Lowe

When pianist Diane Huling performs Johann Sebastian Bach’s C Minor Partita at the Barre Opera House, she will illustrate it with her own paintings that “tell the story.”

Lost Nation Theater aced it on the opening night of its latest production. The enthusiasm in the full house — including generous doses of seniors and teens — bordered on rowdy.

Richard Riley conducts the Capital City Concerts chorus and Skylark Strings in Burlington composer Don Jamison’s “Raine Songs,” Saturday at the Unitarian Church of Montpelier, part of the CCC program “A Fall Feast of Music and Poetry.”

The Vermont Philharmonic begins its 68th season as the state's oldest community orchestra with Sibelius' First Symphony.

Upper Valley Baroque opens its sixth season with a tour that takes it for the first time to Vermont's Valhalla of music, Marlboro, home of the legendary Marlboro Music Festival and once home to the New England Bach Festival.

Pianist Diane Huling's performance of Chopin's D-flat Nocturne, Sunday at the Barre Opera House, was so exquisite it was worth many times the cost of admission.

Upper Valley Baroque opens its sixth season with a tour that takes it for the first time to Vermont’s Valhalla of music, Marlboro, home of the legendary Marlboro Music Festival

The Vermont Philharmonic opened its 68th season with perhaps its most “symphonic” performance in memory.

Weston Theater Company has initiated a new three-part program, Weston Works, to facilitate artists creating tomorrow’s theater. The first “class,” which has just finished the first part at Weston, is: from left, Nina Goodheart (director), Seqouia Sellinger (composer), abs wilson (playwright and lyricist), Julia Izumi (playwright), and Brendan Pelsue (playwright).

Ask anyone who’s seen the 1940 animated film “Fantasia” which piece they remember most, and they will respond “The Sorcerer’s Apprentice” — or “the one with Mickey Mouse.”