Katy Cowan

Two years, five characters, and 42 pairs of creative hands were behind the London studio's most ambitious project, and also its most honest. We sit down with Vicky Ghose, Mike Moloney and Stephen Middleton to find out more.

The artist behind the Substack In The Filing Cabinet is on a mission to preserve her family's table. From her mother's homemade chutney to her late father's lentil daar – one appetising artwork at a time.

The Milan-based artist fell in love with illustration one afternoon, thanks to an Andy Warhol ink drawing. Now she works for The New Yorker and the Financial Times, inspired by "ordinary" moments she once dismissed.

It started as a parody of Christopher Nolan's IMAX obsession and racked up 14 million views. Then, over the summer, as everyone watched AI disrupt Hollywood, a crew of 30 decided to see what a 17-year-old iMac could do.

The dynamic duo behind one of our favourite bookshops believes merchandise has re-emerged as a powerful marketing tool. We find out more about their latest title.

It was once where Finland built most of its trains. Now it's a cultural destination with restaurants, theatre and galleries. To bring it all to life, the identity began with a lifting symbol found on the side of a carriage.

Instead of turning to AI for their latest campaigns, Hermès and Chanel hired the Paris artist. The result is something widely loved online, and not just by creatives either. We speak to the human who got everyone talking this summer.

The independent studio reframes "psychic guidance" for modern life, with stunning illustrations by María Jesús Contreras.

Weirdo helped the British fashion brand swap the usual models for "open-minded" women aged 19 to 72, found via guerrilla posters, shot in a single day and backed by new positioning and a signature colour called Lemonade.

Weirdo helped the British fashion brand swap the usual models for "open-minded" women aged 19 to 72, found via guerrilla posters, shot in a single day...