Lauren Michele Jackson is a contributing writer at The New Yorker, where she explores the intersections of culture and politics. Her work often delves into cultural movements, pop culture, and the arts, including fine art and music business topics. Jackson's insightful commentary has been featured in BOMB Magazine, The New York Review of Books, and Harper's Bazaar, among others.
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United States (National)
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Lauren Michele Jackson's articles predominantly cover lifestyle, entertainment news, and entertainment topics. Her coverage includes expert commentary, data citations, reviews, and opinion editorials.
Given her focus on gender studies, feminism, media representation and art history within the context of entertainment and lifestyle, she would likely be interested in pitches related to cultural analysis or critiques that offer unique perspectives on these subjects. Topics could include insights into film theory as it pertains to social issues or representations in media. Pitches offering expert commentary from scholars or professionals with a deep understanding of these areas may also be well received.
It is important for potential contributors to keep in mind Lauren’s national (United States) geographic focus when addressing any local relevance within their pitches.
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The author discusses his latest novel, “Minor Black Figures,” and the discourse around racial subjectivity.
The city has often been spoken about as a war zone in need of saving from itself. But at home, as abroad, America’s enemies are so often of American invention.
The actor and comedian talks about collaborating with Wallace Shawn, embracing the emotion of performance, and his directorial début, “Maddie’s Secret,” in which he plays a food influencer struggling with an eating disorder.
The flute-playing rapper became an icon of brand-friendly body positivity in the twenty-tens. Who is she now?
By: Lauren Michele Jackson
Artist Njideka Akunyili Crosby on the instincts and inspirations behind her landmark painting
The go-getter woman needs a better alibi, or else to quit telling stories. Is that Kamala Harris, peeping out from beneath her collapsed tent, smugly threatening the American people with another run?
By: Lauren Michele Jackson
Kylie Minogue's 2023 hit belongs to a category of solid, danceable pop music that barely penetrates the eardrums of self-professed thirtysomething old folks.
Let's say it in unison: this isn't helping . By “this,” we mean commentary, though I prefer “criticism,” an enterprise that, in its contemporary
In a young Black professor’s academic misconduct, a “race-realist” found a “hook for a story.”
By: Lauren Michele Jackson
Olivia Rodrigo’s daylong, woman-led event felt at times like any other corporate music festival. But, if music is the measure, it was up to something stunning.
