Matt Schley is a Contributing Writer at various esteemed publications including Screen International, BBC World, The Japan Times, and Otaku USA. He focuses on the arts and entertainment sector, with a particular emphasis on the film industry and filmmaking. His insightful commentary and analysis have made him a recognized voice in the realm of cinema.
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Japan (National)
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Matt Schley primarily covers entertainment news, particularly focused on anime and related topics. His articles often contain investment analysis, announcements, seasonal content, and expert commentary.
If you are looking to pitch to Matt Schley, consider offering insights into the latest trends in anime or providing expert commentary on developments within the industry. Given his focus on national coverage of Japan, pitches related to Japanese entertainment culture and its impact globally could be of interest.
Additionally, if you have valuable insights regarding collaborations or upcoming projects within the anime industry that align with his coverage areas like KonoSuba or Haruhi Suzumiya series among others mentioned in his article titles might catch his attention.
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Anime- and manga-related art exhibitions are now one of the pillars propping up the industry.
By: Matt Schley
After 40 years of anime franchises, Shoji Kawamori’s first fully original film takes on the smartphone age.
By: Matt Schley
Godzilla may be Japan's most famous kaijū (monster), but Mothra isn't far behind. And much like Godzilla, Mothra is more than just a cinematic
By: Matt Schley
Released on Christmas Day in 2020, the animated film "Poupelle of Chimney Town" told the story of a young chimney sweep and his best friend, a man
A Golden Week tradition for many, the 'Detective Conan' blockbuster franchise has built a cycle of anticipation that keeps fans engaged year after year.
By: Matt Schley
The black sheep of the 'Patlabor' mecha franchise sidelines its robots for a 1970s-style paranoid thriller.
The new 'Patlabor' series proves giant robots and police officers don't need world-ending stakes to be entertaining. Sometimes, office ennui is enough.
By: Matt Schley
Kei Suzuki’s feature-length debut, adapted from a popular light novel, is a competent but ultimately uninspired take on an all-too-familiar premise.
Director Ryo Katanosaka pivoted to animation during the COVID-19 pandemic, producing a two-minute short that paved the way for “Shiranui.”
Across the generations, popular manga have lent themselves to both live-action and anime adaptations — with sometimes surprising results.
