Murray Whyte is an art critic and columnist at The Boston Globe. He covers a diverse range of themes including arts and entertainment, fine art, urban art and street art, as well as architecture and planning. His insights and critiques have been featured in various prominent platforms, showcasing his expertise in the art world.
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Murray Whyte's coverage is heavily focused on local arts and culture, particularly art exhibitions, museums, and cultural heritage. He appears to have a keen interest in providing event coverage and expert commentary related to the art world.
If you're looking to engage with Murray Whyte, consider offering insights into upcoming or ongoing art events in the Massachusetts area. Providing access to local artists or experts who can offer unique perspectives on cultural heritage would likely be of interest.
Given his focus on local events and expertise, reaching out with information about new exhibitions at Massachusetts-based museums or interviews with relevant artists could be valuable for potential collaboration opportunities.
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The museum rejected federal support for its new 18th-century American galleries. They tell a story the current administration may not like.
By: Murray Whyte
GLOUCESTER — Can an exhibition anchored by the works of Mark Rothko be endearing? Yes, it turns out, though I never would have guessed.
By: Murray Whyte
T he Institute of Contemporary Art wraps up “Say It Loud: AAMARP, 1977 to Now,” a showcase of decades' worth of work from Boston's cornerstone institution of the Black Arts Movement, on Aug. 2.
By: Murray Whyte
Pairing works of art linked by theme, the exhibition embraces a kind of conflicted chaos that reflects the American moment
“American Stories” exhibit sets the arc of the artist’s expansive career against important art of three centuries, evoking a tense national narrative.
“The Book of Esther in the Age of Rembrandt” at the Gardner museum presents dazzling works by the Dutch master and other painters who depicted a biblical story about freedom for Jews.
By: Murray Whyte
‘Rothko looked out and saw a landscape, indistinct, misted, veiled and changeable, ever changeable' Mark Rothko, Untitled (wharf, Gloucester, Massachusetts), 1934.
By: Murray Whyte
An assistant professor of art, film, and media studies at Harvard University, Hopinka's work in video, photography, and poetry explores his relationship to landscape and is a rumination on loss
Originally stark and alone among spindly saplings, it is now embraced and sheltered by forest, a suiting metaphor.
By: Murray Whyte
‘Maverick Kings: Three Visionary Pharaohs of Egypt's Golden Age' is a revelation about a surge of creative invention that changed the civilized world
