Murray Whyte is an art critic and columnist at The Boston Globe. He explores themes of arts and entertainment, culture, and society, with a focus on fine art, urban art, street art, and crafts. His insightful commentary and critiques have made him a prominent voice in the art community.
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Murray Whyte's coverage is heavily focused on local arts and culture, particularly art exhibitions, museums, and cultural heritage. He appears to have a keen interest in providing event coverage and expert commentary related to the art world.
If you're looking to engage with Murray Whyte, consider offering insights into upcoming or ongoing art events in the Massachusetts area. Providing access to local artists or experts who can offer unique perspectives on cultural heritage would likely be of interest.
Given his focus on local events and expertise, reaching out with information about new exhibitions at Massachusetts-based museums or interviews with relevant artists could be valuable for potential collaboration opportunities.
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By: Murray Whyte
An assistant professor of art, film, and media studies at Harvard University, Hopinka's work in video, photography, and poetry explores his relationship to landscape and is a rumination on loss
Originally stark and alone among spindly saplings, it is now embraced and sheltered by forest, a suiting metaphor.
By: Murray Whyte
‘Maverick Kings: Three Visionary Pharaohs of Egypt's Golden Age' is a revelation about a surge of creative invention that changed the civilized world
The band’s central gift lies in crafting sonic environments that leave you lost inside them. With “Out Into Us (Slow Down),” it delivers a rich and metaphoric visual experience.
By: Murray Whyte
The museum draws from its own remarkable collection to offer a semiquincentennial exhibition that takes a sober and thoughtful view of the ever more contentious reality of the country's identity
The influential and widely known designer Isamu Noguchi famously said, ‘I am not a designer.' What he meant is that he wasn't just a designer.
To understand the work of Nathan Fielder, the documentarian/comedian — though do either really apply?
“90 YEARS,” the ICA's just-opened exhibition, chart's the museum's long, twisting evolution from a tiny modern art museum in 1936.
By: Murray Whyte
Andrew Wyeth, "Clam Flats," 1942, from Farnsworth Art Museum's "Maine: A Force Within American Art (1890-2026)."
By: Murray Whyte
“What Is Love,” a retrospective of Jackson's decades-long career, is on view at the MFA. Museums Get lost in the rest of our museum package.
