Nate Jones is a senior writer at Vulture. He primarily covers the film industry, contributing to discussions around cinema through his weekly Oscar Futures column and rankings of Taylor Swift songs and A24 films. Nate's work has been featured in notable publications such as The News Tribune, New York Magazine, The Washington Post, and People Magazine.
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By: Stephen Van Dusen, Nate Jones, Kurt Chong, Will Crummey, Matt Haden, Jim Castignani, Mike Saign, Jeff Arrillaga, Joe Kelly, Grant Meylan, Chris Shepherd, Mark Christierson, Sherman Chan, Bob Steinbock, Joey McSweeney, Mike Rose
TMG Partners, Grove Real Estate Partners and Lone Star Funds Acquire 2.2 msf Silicon Valley R&D Portfolio
Last year's Venice Film Festival saw the premiere of Jay Kelly , in which George Clooney plays a movie star who travels to Italy to get a lifetime-achievement award from a prestigious film festival.
Bucking Fastard , Werner Herzog's first fiction film since 2019, belongs to a hallowed lineage of cinema about weird gals getting into mischief.
The high drama of Oscar season often holds Shakespearean undertones — what was Timothée Chalamet's Marty Supreme campaign but an echo of Henry
Get ready for John Malkovich’s Best Actor campaign.
, Pattinson gives a performance of such repellent charisma that, come January, it may be the Academy's acting branch who invites
Pattinson gives a performance of such repellent charisma that, come January, it may be the Academy’s acting branch who invites him to “take a seat.”
At the Lido, Don’t Look Back in Anger is sparking waterworks.
won the Oscar for Documentary Feature and prompted the Academy to change its rules so nothing like that could ever happen again. What feels new is not the scale but the frequency. A megalong doc used to be a rare beast; now, every prestige-festival lineup feels like it needs to include a few gargantuans.
For all the talk about this year's Venice Film Festival being relatively thin on the Oscarbaition front , it ended up providing a rather strong lineup of movies.
