Nate Jones is a senior writer at Vulture. He primarily covers the film industry, contributing to discussions around cinema through his weekly Oscar Futures column and rankings of Taylor Swift songs and A24 films. Nate's work has been featured in notable publications such as The News Tribune, New York Magazine, The Washington Post, and People Magazine.
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If any of these nominations come to fruition, know that we’ll be taking all the credit.
If any of these nominations come to fruition, know that we'll be taking all the credit.
By: Nate Jones
The Department of Homeland Security says it will use the technology to “revolutionize” how the agency handles redactions.
By: Nate Jones
Redactions are the Freedom of Information Act requester's bane. Those black boxes that often hide wide swaths of words when the government finally delivers on a request for public records. While even the most ardent openness advocate will grant that some information - such as Social Security numbers - needs to be redacted, almost all requesters believe the government uses redactions to hide far more than it should.
Digger was meant to be the star’s long-awaited Academy coronation. Now the movie might flop, taking his Best Actor chances down with it.
Ahead of its release, Alejandro González Iñárritu 's climate-change satire appeared to be exactly the kind of movie Tom Cruise's fans hoped he would
Christopher Nolan's film is this Oscar season's assumed Best Picture front-runner. Should it be?
Christopher Nolan’s film is this season’s assumed Best Picture front-runner. Should it be?
But Nathan Fielder and Lance Oppenheim’s new movie could still make Oscars history.
Is whatever she's doing in her latest movie the kind of thing that could even be recognized by the Academy?
