Nicole Sperling is a Media & Entertainment Reporter at The New York Times, based in the Los Angeles Bureau, where she covers Hollywood and streaming. With a focus on the film industry, filmmaking, and media, she explores the intersection of journalism and entertainment. Nicole's work has been featured in prominent outlets such as Yahoo News, Vanity Fair, and The Boston Globe.
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United States (National)
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Nicole’s coverage is centered on film and entertainment, with regular attention to industry dynamics, publicity efforts, and the business side of major releases and events. She is likely to be most responsive to pitches that offer timely, concrete angles tied to current industry moves, release strategies, or notable personalities involved in high-profile projects.
She also appears open to stories that connect behind-the-scenes developments with broader shifts in how entertainment is marketed and consumed, especially when there’s a fresh hook or a strong news peg.
Her coverage is national in scope, so pitches should be framed around U.S. developments.
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The documentarian also talks about trying to interview the trillionaire and the roadblocks the film has run into.
Documentary filmmaker Alex Gibney has long been interested in tales of unchecked power, from turning Enron's collapse into an entertaining crime
By: Nicole Sperling
The streaming service reported a 12 per cent increase in quarterly revenue, but acknowledged that stagnant viewership was a major concern.
By: Nicole Sperling
After a tumultuous week when Netflix laid off 1000 employees and fired its chief content officer and top two film executives, the world's largest
By: Nicole Sperling, Ariel Fisher
Is the male love interest the answer to toxic masculinity? The actors contemplate that prospect and the challenges of creating a very adult fable.
SANTA MONICA, Calif. — Olivia Colman and Alexander Skarsgard have joined forces to tell the tale of the unlikeliest of romances: that between an outcast villager with a prominent fish
By: Nicole Sperling
The popular nonfiction film is eligible for several Oscars. But the academy’s documentary branch may not be receptive to its unconventional approach.
By: Nicole Sperling
Nicole Sperling This article contains spoilers about a surprise appearance in this film.
By: Nicole Sperling
By This article contains spoilers about a surprise appearance in this film.
In two weeks of release, “You Can See Everything” has grossed $45 million at the box office. Directed by Nathan Fielder and Lance Oppenheim, the documentary has a near-perfect score on Rot
