Paul Lê is a critic at Bloody Disgusting, Dread Central, and Tales from the Paulside. Based in Texas, he focuses on the film industry and entertainment news, exploring themes in arts and entertainment, filmmaking, and literature. Paul Lê is featured in BLOODY DISGUSTING, LLC.
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Paul Lê predominantly covers horror movies with a focus on reviews, hidden gems, and seasonal themes. Given his interest in reviewing horror films and highlighting hidden gems, he may be interested in pitches related to upcoming or recently released horror movies that have received less mainstream attention but are noteworthy for their quality or unique elements.
As Paul frequently focuses on cult favorites, holiday-themed horrors, and lesser-known titles within the genre, pitching stories about similar underappreciated films or trends within the horror industry could resonate well with him.
Consider offering insights into emerging trends within the horror film industry or exclusive interviews with directors, writers, or actors involved in creating unconventional or niche horror content.
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By: Paul Lê
Even ardent slasher fans may not know about Joyride (1983)—and that's because it's not a movie.
By: Paul Lê
Of all the cold-blooded animals to get a starring role in a horror movie, Komodo dragons are the least likely.
By: Paul Lê
Zeebo, the Silent Servant, the Ghastly Grinner, and that one very dreadful pool monster.
Sid Bennett didn't intend for his debut feature to be of the found-footage persuasion, but in the end, that's what became of The Dinosaur
By: Paul Lê
Deep space is a popular destination whenever the horror genre wants to leave solid ground and enter the great unknown.
By: Paul Lê
Looking back on cinema, you'll notice that there have been quite a few movies based on urban legends . Most found their pop folklore inspiration
By: Paul Lê
With physical media having a moment these days, there was bound to be at least one movie about the resurgence.
While certain concepts in horror movies can be difficult to wrap your head around, the idea of being trapped somewhere is universally understood.
By: Paul Lê
The Appalachian area often goes overlooked in horror cinema, so at the very least, Daniel Byers' is a nice break from urban stories. The environment here is well suited for a movie about evils hiding in both plain sight and out of sight.
By: Paul Lê
French horror movie High Lane (Vertige) is like Wrong Turn meets Hostel. First it's man versus nature, then it's man versus cannibals.
