I'm thinking, for the moment, of a 1960 orchestral work called “Threnody to the Victims of Hiroshima” by the Polish composer Krzysztof Penderecki.
Philip Kennicott is a Senior Art and Architecture Critic at The Washington Post. He specializes in covering art and architecture, with a keen interest in cultural movements, pop culture, and the music business. His insights and critiques have been featured in various prominent publications, including The Spokesman-Review, The Guam Daily Post, and Newsday Media Group.