There’s more to Derrick Adams’s paintings than Black joy. But that complicated emotion is what tugs at the heart.
Robin Givhan is a Senior Critic at Large at The Washington Post. She writes extensively about politics, race, and the arts, with a keen focus on the intersections of culture, beauty, and fashion. Robin's work has been featured in numerous prestigious outlets, including Vanity Fair, The New York Times, and Harper's Bazaar.