Scott Tobias is a film critic at The Reveal. He specializes in the film industry, filmmaking, and pop culture, while also exploring themes related to family, relationships, and broader cultural issues. His work has been featured in prominent outlets including TIME, The Guardian, Rolling Stone, and The New York Times.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
United States (National)
Not enough data
Scott Tobias mainly covers entertainment, with a focus on film and TV. He frequently provides expert commentary and writes about industry-specific topics related to movies, television, and pop culture. Given his extensive coverage of specific episodes or films, he may be interested in pitches that offer unique perspectives on these individual pieces of media.
For example, if you have insights into the creative process behind a particular production or can provide analysis of noteworthy trends within the film and TV industry, Scott Tobias might find this valuable for his coverage.
Since there is no specified geographic focus for Scott's articles, it implies that he takes an international view on entertainment-related content.
This information evolves through artificial intelligence and human feedback. Improve this profile .
The Bowdens' parenting decisions are so questionable that their children voluntarily side with the family's tormenter.
Cady might have gotten what he wanted, but now Anna finds herself with nothing left to lose.
There's a major class component to every adaptation of Cape Fear , because Max Cady is broadly framed as poor white trash and the Bowdens are wealthy
Every clunky decision made this season culminates in a confusing, unsatisfying finale.
By: Scott Tobias
Uninteresting mythology and junky effects push a once-promising horror franchise further from what it once was
By: Scott Tobias
The late director’s sensitive and detailed adaptation of Stephen King’s novella has an authenticity that so many imitators could never replicate
By: Scott Tobias
Coming-of-age metaphors don't get any blunter than a group of preteen boys following a set of railroad tracks to a classmate's dead body, a sobering
The prime dimension's Dessens learn that sticking it out in their home dimension will be more complicated than they'd hoped.
Jason, Daniela, and Charlie arrive in an idyllic world just as Amanda and Ryan leave another.
Now that we're three episodes into the second season, it should be said up front: Dark Matter is much stronger now than it was in its first season.
