Sean Fennessey is the Head of Content at The Ringer. He covers a range of topics within Sports, Entertainment, and Pop Culture, with a particular focus on the Film Industry and Filmmaking. Sean's work has been featured in The Ringer, Broadsheet Media, GQ Magazine, Newswav, Knowledia, Habitusliving, and est living.
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United States (National)
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Sean Fennessey’s coverage is heavily centered on film and filmmaking, with a strong mix of analysis, opinion, and commentary on industry trends, major releases, and the cultural meaning of movies. He seems most responsive to pitches that offer sharp, timely perspectives on how the movie business is changing, especially around release strategies, franchise fatigue, studio influence, and what kinds of films still resonate with audiences.
He may also be open to thoughtful reactions to specific films or filmmakers, especially if the angle connects those works to broader shifts in the industry or audience taste. Pitches tied to notable theatrical releases, awards-season conversation, or major changes in how movies are made and marketed are likely to be strongest.
His coverage appears to be focused on the United States, so pitches should keep that national context in mind.
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The Knicks are NBA champions and my heart is open. Let’s go to the cinema.
‘Supergirl’ is the first new comic book film in 11 months. Let's take a moment to reflect.
‘Artificial,’ Luca Guadagnino’s controversial OpenAI drama, was dumped by Amazon and scooped up by Neon when all others passed. Should we hail the distributing hero?
Olivia Wilde’s ‘The Invite’ is a timeless examination of long-term relationships. It’s also a generational text. Are there any other films by and for Millennials that nail them quite so well?
‘Moana’ is the latest Disney live-action remake to fail to connect with audiences. What was once a den of creativity has become a house of wax.
By: Sean Fennessey
Coincidentally, ‘Avengers: Doomsday’ is coming soon. Why does it look like a Super Bowl commercial for crypto?
By: Sean Fennessey
And some other stray thoughts before I disappear for vacation
August is the new Dumpuary and also the most interesting movie month of the year. Why are both things true?
By: Sean Fennessey
Twenty-five years since it first appeared, the independent, low-budget series of quasi-improvised, talky films continues to resonate in surprising ways throughout movie culture.
By: Sean Fennessey
Fielder and Lance Oppenheim’s surprise film about Elizabeth Holmes stunned Telluride. Could it change the art form?
