Shawn Donohue is a journalist at Glide Magazine. He specializes in arts and entertainment, with a particular focus on theater and music, including various music genres and the music business. Shawn's insightful commentary and analysis have been featured in Glide Magazine, where he explores the vibrant landscape of the arts.
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Shawn Donohue's review-focused articles primarily cover music and album reviews with a particular emphasis on live shows in New York City. He seems to have a strong interest in indie and punk rock, often featuring lesser-known artists alongside established acts.
Given his focus on showcasing performances at local venues, reaching out with information about upcoming gigs or exclusive interviews with musicians performing in NYC could be an effective approach. Additionally, providing insights into the indie and punk rock scene within New York City would likely capture his attention.
It's worth noting that Shawn has covered gaming-related content as well; therefore, if you're pitching entertainment news related to this area or relevant events happening locally in New York City, it might also pique his interest.
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By: Shawn Donohue
Tom Morello has always been willing to state his mind and go alone; now comes Everyone Gets Everything They Want, a catch-all solo album of Morello’s multi-genre love that delivers speaker-shaking beats, head-banging metal, delicate interludes, and revolutionary lyrical cries.
By: Shawn Donohue
For the most recent offering on Easy Eye Sound, the Swiss-Ecuadorian siblings Hermanos Gutiérrez wanted to craft an instrumental love letter to South America. The resulting ten-track breezy affair, Los Ojos Del Cóndor, is an elegant journey through these soundscapes.
By: Shawn Donohue
The newest release from Austin, TX-based hardcore noise punks, Tear Dungeon, hits hard as Squirm
By: Shawn Donohue
On a warm fall Thursday night in the heart of New York City on October 1st, a host of the world’s best blues artists came together to pay tribute to the legendary Buddy Guy. Radio City Music Hall was sold out for the special live event, Buddy’s Got The Blues: A 90th Birthday Concert Celebration.
By: Shawn Donohue
Having unexpectedly passed away in late 2025, the first posthumous album from Todd Snider, My Second Rodeo, arrives right before what would have been the beloved Nashville-based troubadour’s 60th birthday. Soft drums, big horns, and sweet backing vocals flesh out his folk tunes.
By: Shawn Donohue
The newest release from the Los Angeles-based Death Valley Girls finds the band searching for connection amid loss and devastation. Welcome to Earth
By: Shawn Donohue
The philosophical title of EELS 16th studio album, Cookie Happened, was inspired by none other than Cookie Monster, who uttered the phrase “Me no cry because cookie is finished. Me smile because cookie happened.” EELS (aka Mark Oliver Everett) took those wise words to heart, delivering yet another collection of contemplative songs that explore survival and the human condition.
By: Shawn Donohue
While Ween hasn’t released an album of new material in almost 20 years, 2026 has been a great year for live bootlegs and archival offerings from the New Hope pranksters. The largest and best is the first in a live release series titled Boognish Provides, capturing Ween at one of their most fruitful times: the Chocolate and Cheese Tour of 1994-95.
By: Shawn Donohue
Max Bien Kahn’s fifth solo record finds the New Orleans-based artist taking a step back, breathing deep and appreciating what he has in life, love, family, a welcoming neighborhood, and more, throughout the easy-flowing personal journey of Baby Green.
By: Shawn Donohue
The iconic Tony Iommi has released a new solo record, From The Dark, squarely in his wheelhouse of titanic riffs, thundering low end, and flights-of-fancy vocals. It is good to see the metal god still churning out headbanging tunes in a style his fans will instantly recognize.
