Tara Brady is the U.S. Head of Social Media at Mail Online. She specializes in the arts and entertainment sector, focusing on the film industry, filmmaking, and entertainment news, while also covering celebrity topics. Tara's work has been featured in The Irish Times, Geek Ireland, Metacritic, Inc., Edutopia, and Hot Press.
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Tara's coverage heavily focuses on film reviews and expert commentary within the entertainment news space. If you're looking to reach out, consider offering her access to new films for review or providing insightful expert commentary about upcoming trends in the film industry.
Given her national focus on Ireland, pitches related to Irish cinema or local film events may be particularly relevant to Tara's coverage. Additionally, if your expertise is in analyzing current and upcoming trends in filmmaking or specific genres, this could also resonate with Tara’s interests.
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By: Tara Brady
More stylish TV special than Academy Award prospect, the film lacks the toxic bang of its predecessor
By: Tara Brady
Zoe Kavanagh has fashioned an imaginative supernatural franchise from a microbudget
By: Tara Brady
Aaron Sorkin's new film, The Social Reckoning, dramatises Frances Haugen's whistle-blowing on Facebook and Meta's approach to business
By: Tara Brady
The most affecting scenes in Neasa Ní Chianán's documentary are with Ryan's son, Tommy, and their scene-stealing dog, Sooty Forever Is Now
By: Tara Brady
Coming-of-age story examines how imperial power survives through new economic arrangements
By: Tara Brady
Trapped inside a sperm whale with only an hour of oxygen, a grieving son confronts his relationship with his father in the film adaptation of Daniel Kraus's novel
By: Tara Brady
This masterclass in dramatic timing over 165 minutes coalesces into a gasping thriller
By: Tara Brady
It seems churlish to complain that Fatherland is the weakest of the director's historical trilogy, but it is
For the Masters of the Universe film-maker, bringing his latest stop-motion animation movie to the big screen has been a lengthy labour of love
By: Tara Brady
In Valeska Grisebach's film set in a Bulgarian border town, it can be difficult to differentiate shakedowns from flirtations
