Valentina Di Liscia is a Staff Writer for Hyperallergic. She focuses on themes related to arts and entertainment, exploring topics such as art dealing, fine art, urban art, and street art within the broader context of culture and society. Valentina's work is featured in Hyperallergic.
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Valentina’s coverage is heavily centered on art, with a strong tilt toward museum and gallery news, artist profiles, awards, and institutional updates. She’ll likely be most responsive to pitches tied to notable exhibitions, artist achievements, leadership changes at cultural institutions, or timely developments involving major art figures and organizations.
Because her work often covers major announcements and event-driven moments, outreach is strongest when you have fresh news, exclusive access, or a clear angle on why a development matters now. She also appears open to stories that connect art with broader cultural or civic significance.
Her coverage has a global reach with a U.S. focus, so pitches should generally frame relevance to the American art scene while remaining aware of wider international context.
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By: Valentina Di Liscia
The 42-year-old Jacksonville native and Democratic Socialist founded the local community bookstore Cafe Resistance and co-authored a comic book with her daughter.
A permanent home for the artist’s archives, MoMA PS1 is getting a new café, and which museum scored a sweet early Rothko?
She channeled her mental health struggles into kaleidoscopic artworks that enamored the world, rendering her an icon closer to a spiritual leader than a contemporary artist.
Plus, the High Line’s fall lineup, new curators at the Philadelphia Museum of Art, a laid-off Artnet News reporter speaks out, and more in Art Movements.
Julio Torres and Martine Gutierrez's new performance is a grotesque parade of visual delights that defangs our toxic relationship to our screens.
Anonymous Was A Woman's environmental art grants, Art Gallery of Ontario director steps down, Alex Katz on PBS, and more in Art Movements.
Plus, artists on feeling deceived by a widely advertised summer residency that lured them in and never materialized.
A recent history of “disco balls” and its precursors; plus, Ed Simon on why we should be alarmed about Lonnie Bunch’s resignation.
The New Museum's new board members, Alison Rossiter works acquired by The Met, a record-breaking David Hockney show, and more in Art Movements.
Valentina Di Liscia is a Senior Editor at Hyperallergic. Send her your inquiries, stories, and tips to [email protected].
