Vinson Cunningham is a Staff Writer at The New Yorker. He focuses on themes related to arts and entertainment, particularly theatre, while also covering sports, including major league and team sports. Vinson's work has been featured in The New Yorker, The New York Times, Realclearpolitics, LLC, NewsBreak, and Magzter.
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New York, United States (Local)
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Vinson Cunningham’s coverage suggests he responds well to timely, high-stakes sports pitches, especially those tied to major games, team storylines, and aftermath analysis. He also writes with a cultural and interpretive angle, so outreach that connects a sporting moment to broader city identity, fan reaction, or significance beyond the box score may stand out.
He may be especially receptive to strong post-game commentary, smart takes on turning points, or interviews that illuminate what a big team victory means in the wider moment. Pitching around New York will likely be most effective.
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Check out a dance floor the next time you get a chance. Take note at the point in a song when the real dancers stop messing around. (“That was my
With teachers and students returning to the classroom, the hosts of Critics at Large reflect on the art of education itself.
By: Naomi Fry, Alexandra Schwartz, Vinson Cunningham
Tales of human resilience in nature bring the thrill of the wild to the comfort of the couch. In our hyper-developed day and age, why do we return to stripped-down tales of survival?
A.I. is everywhere, and it’s often hard to tell what’s even real.
Iconic roles and death-defying stunts have made Tom Cruise's name synonymous with movie magic. In “Digger,” he breaks his action streak to show us something new—for better or for worse.
By: Vinson Cunningham, Naomi Fry, Alexandra Schwartz
Mark Zuckerberg, the C.E.O. of Meta, urged his employees to “move fast and break things.” Aaron Sorkin's new film depicts the aftermath.
In N.F.L. commentary, expertise is celebrated, even craved, by the masses.
CBS News' editor-in-chief has pledged to “speak for the seventy-five per cent” of people on the center right and the center left; the reality is different.
By: Vinson Cunningham, Naomi Fry, Alexandra Schwartz
“It's technically a documentary,” Naomi Fry says of Fielder's new film about Elizabeth Holmes, “but it seems at times more like a philosophical treatise on the knowability of other people.”
By: Alexandra Schwartz, Vinson Cunningham, Naomi Fry
Onstage at the New Yorker Festival, the hosts offer advice on embracing a less managerial approach to life, how to handle disagreement, and the best art for reigniting a feminist spark.
