Waldemar Januszczak is the chief art critic at The Sunday Times. With a focus on fine art, digital and analog photography, and various aspects of arts and crafts, he brings a rich perspective to the arts and entertainment landscape. Waldemar has been featured in The Times and WebWire - Press and News Release Distribution.
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Waldemar Januszczak's articles primarily concern art and culture. He covers a wide array of topics within art, including exhibitions, artists, and art history. His work includes opinion editorials, event coverage, and reviews.
When reaching out to Waldemar Januszczak for potential collaborations or pitches related to his themes covered such as Art Exhibitions or Art History would be well-received. As he frequently writes opinion pieces on various subjects related to arts and culture, providing unique insights into current trends in the art world could also capture his interest.
Although there is no specific geographic focus provided for Waldemar Januszczak's coverage attributes suggest that he may take an international approach to covering global cultural events.
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The artist conquers the awkward spaces of the Hayward Gallery in a fabulously Freudian display of sculptural arrogance
Watch Waldemar Januszczak’s guided tour of the Mexican artist’s triumph at Tate Modern and his verdict on the battalions of narcissists she inspired
Female photographers were frowned on in 1950s Japan. The Photographers’ Gallery puts the brave artists who broke the mould in the spotlight
By: Waldemar Januszczak
The Victorian artist Richard Dadd produced the most extraordinary masterpieces from Bedlam and Broadmoor. Don’t miss this exhibition of his work at the Royal Academy
By: Waldemar Januszczak
Lindsey Mendick has arrived from nowhere like a truck crashing through your living room wall — not even Tracey Emin told us so much about her turbulent love life
Gustave Fayet bankrolled Gauguin and amassed extraordinary treasures — why was he rejected by the establishment until now?
Peter Howson is proud to be 200 years behind the times. Give that man a medal for tackling the most uncool subject of our age
By: Waldemar Januszczak
The era was fun and exciting, but Tate Britain’s show, curated by ex-Vogue editor Edward Enniful, ignores that in favour of a catwalk of catastrophe
Mike Nelson’s startling work delves into the conspiracy theories that have catapulted crackpots to the top
By: Waldemar Januszczak
I want to look at their art with fresh eyes and an open heart, but I can’t ignore their cardinal failing — the sin of silliness
