Adam Perlmutter is an Editor at Stringletter. With a strong background in music, holding a bachelor of music degree and a master's degree in Contemporary Improvisation, he focuses on topics related to music and guitar culture. Adam's work has also been featured in Premier Guitar.
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Adam's articles largely focus on providing how-to guides and profile features related to guitars, music, and musical instruments. To effectively reach out to him, consider offering expert tips or unique insights related to guitar techniques, music theory, or the latest trends in musical instruments.
Since Adam covers a wide range of musical styles and budgets in his "Year in Gear" article series, he may be interested in receiving pitches about innovative products that cater to diverse musical tastes and financial means.
It's important to note that Adam does not have a specific geographic focus but rather showcases international talents. Therefore, when reaching out with musician profiles or feature ideas relating to cultural influences on music or instrument making traditions from around the world would likely resonate well with him.
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By: Adam Perlmutter, Frank Ford, E.E. Bradman, Michael John Simmons
2025 was as much about old ideas made new as it was about new ones pointing toward the acoustic guitar’s future. Here we look back at a cross section of the guitars and accessories that defined it.
By: Michael Wright, Adam Perlmutter, Joseph Skibell, Mac Randall
The acoustic world lost some singular voices in 2025.
By: Adam Levy, Adam Perlmutter
This arrangement is based loosely on the version recorded by Ricky Skaggs and Tony Rice (1980), and it works as a study in traditional flatpicking accompaniment.
By: Teja Gerken, Nick Rossi, Adam Perlmutter, James Rotondi
This light and balanced guitar marries the 16-inch lower-bout girth of a classic dreadnought with the slim waist and narrow body depth of a 000.
By: Barry Wahrhaftig, Whitney Phaneuf, Joey Lusterman, Adam Perlmutter
White wowed the crowd with the Cole Porter classic at Brooklyn’s Jalopy Theatre during the release party for ‘Fingerpicking the Great American Songbook.’
By: Adam Perlmutter, Alan Barnosky, Jeffrey Pepper Rodgers
This guitar arrangement combines bass and chords in one part that can stand alone, and it’s a blast to play.
By: Mark Small, Adam Perlmutter, Adam Miller, Russell Mofsky
Apollo Picks are favored by players like Norman Blake, Bill Frisell, Julian Lage, and Mary Halvorson and are made one at a time in Monnin’s Ohio workshop.
By: Adam Perlmutter, Mark Small, Nick Millevoi
In an expansive new multimedia project, the celebrated Paraguayan guitarist collaborates with performers from across the Americas to explore the instrument’s shared roots and regional transformations.
By: Pete Madsen, Emile Menasché, Adam Perlmutter
While most acoustic soundhole pickups are one-sound-fits-all generalists, the Fluence series instead targets specific sonic goals.
By: Dida Pelled, Adam Perlmutter, Alan Barnosky
“Waiting has been a theme in my life. This version of ‘Hesitation Blues’ is my way of making that space feel flirtatious, playful, and full of possibilities.”
