Alison Willmore is a Film Critic at Vulture and New York Magazine. She specializes in the film industry, filmmaking, and various aspects of arts and entertainment, including theater and consumer technology. Alison's insights and critiques have been featured in Magzter, The News International, NewsBreak, Vulture, and Slate Magazine.
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Beatrice Courte, the protagonist of the beguiling curio that is Chronovisor , isn't a religious devotee like the figures she ends up researching, foremost
I'm an avowed hater of facial prosthetics, but by the end of By Any Means , I'd grown perversely fond of whatever had been done to Mark Wahlberg to make him look more like hit man Gregory Scarpa.
By: Joe Reid, Alison Willmore
Coming at the end of the three-festival pile-up that represents the official start of the fall film season, the Toronto International Film
The most populist of the fall film festivals boasts an especially colorful lineup this year.
Mike Leigh is known for being an unconventional star-maker, a filmmaker whose eye for talent and gift for creating devastating characters means that
The new film from the director of CODA stars Ruth Madeley as disability activist Judy Heumann.
Misty Green , the new movie from Chris Rock, proposes that the only thing less dignified than being an actor who's never made it is being one who did, but who's now struggling.
As a critique of the film industry, Chris Rock’s new film is pockmarked with clichés. But as a showcase for Rosalind Eleazar, it’s outstanding.
By: Alison Willmore
The new action drama sends a terrific Mahershala Ali scurrying across Houston in search of vengeance and breast milk for his baby.
The new action drama sends a terrific Mahershala Ali scurrying across Houston in search of vengeance and breast milk for his baby.
