Amanda Petrusich

His new album, “Oh Yeah?,” marries the offline charms of nineties R. & B. with the disaffection of a life lived through a screen.

In the summer of 2022, Steve Lacy’s “Bad Habit,” a buoyant but doleful song about a missed shot—“I bite my tongue, it’s a bad habit,” he sings ruefully—started going crazy on TikTok. Lacy, who was twenty-four at the time, was previously best known as a guitarist in the Internet, a psych-R. & B. band that emerged out of the sprawling Los Angeles hip-hop group Odd Future. “Bad Habit” was an unexpected but delightful hit.

Last week, Charli XCX and the Strokes, twin pillars of a certain strain of disaffected, irony-drenched cool, each released new records that flirt

Last week, Charli XCX and the Strokes, twin pillars of a certain strain of disaffected, irony-drenched cool, each released new records that flirt with the idea of “rock music.”

Ella Langley's chart-topping lament is about what everyone wants to do in mid-August: give in and let go.

Ella Langley, a twenty-seven-year-old country singer from Hope Hull, Alabama, with bangs so terrifically thick and ponderous they evoke dense, pre-thunderstorm air, recently broke a major

From the daily newsletter: the musician, who died today at the age of eighty, leaves behind a legacy of enormous warmth and tenderness.

Amanda Petrusich is a staff writer at The New Yorker and the author of three books. She is the recipient of a Guggenheim Fellowship in nonfiction and has been nominated for a Grammy Award. Her criticism and features have appeared in the New York Times, the Oxford American, Spin, Pitchfork, GQ, Esquire, The Atlantic, and the Virginia Quarterly Review. Her book “Do Not Sell at Any Price” explores the obsessive world of 78-r.p.m.-record collectors. She is the writer-in-residence at New York University’s Gallatin School.

The singer-songwriter and Weezer front man on the making of the band's new LP, the Gold Album, his relationship with his father, and the stories we tell about ourselves.

In the summer of 2024, Nate Amos released a record called “Box for Buddy, Box for Star” under the sobriquet This Is Lorelei. (The name is a reference