Spencer Kornhaber is a staff writer at The Atlantic. He covers pop culture, music, and the arts, with a focus on the music business and various music genres. Spencer's work has been featured in Realclearpolitics, The Australian Financial Review, Magzter, Yahoo News, and MSN.
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United States (National)
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Spencer Kornhaber's articles predominantly focus on lifestyle and entertainment, particularly music and pop culture. He provides a mix of event coverage, reviews, profiles, and expert commentary. Pitches should highlight unique perspectives or insider knowledge related to the music industry, celebrities' personal lives or artistic expressions.
Given his national focus on the United States, pitches featuring American musicians or cultural phenomena would likely resonate with him more effectively. Consider offering insights into emerging trends in the music industry or exclusive interviews with renowned artists for potential coverage by Spencer Kornhaber.
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Charli XCX's new album is a broadside against overthinking the artistic process.
Phoebe Bridgers's new record is heavy with post-pandemic disappointment. One of the coronavirus pandemic's many terrible legacies is the slow smothering of ambition in popular culture.
The mainstream is disintegrating. What's a frustrated pop star to do?
Country music is surging, female singer-songwriters are on top, and audiences crave honest voices like hers.
Cutesy aesthetics met calls for revolution at Olivia Rodrigo's new music festival.
The rock legend has stayed prolific into old age, and his new album, Second Song , is a minor landmark.
Ed Sheeran and Macklemore have sparked music’s most consequential confrontation over Israel and Palestine.
The singer’s music once put a clever twist on ideas about aging and adulthood. Now she just seems to be going backwards.
By: Spencer Kornhaber
Damien Jalet, the choreographer behind the viral video for Gener8ion’s “Storm,” explains his process.
Sophia Stel’s music fits an era in which the meaning of cinematic applies to more than just films.
