Sam Sodomsky is a Contributor at various esteemed publications. He specializes in music journalism, covering topics such as album releases, tours, and the Grammy Awards, often highlighting the stories of diverse artists. His work has been featured in Uncut Magazine, The Nation, Yahoo Sports Canada, Pitchfork, Bandcamp, The Independent, and GQ Magazine.
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Sam Sodomsky's articles focus mainly on music, album releases, artist news, and entertainment events. His coverage attributes include private sector announcements and press releases. To reach out effectively to Sam, consider pitching new album releases, exclusive interviews with artists or industry insiders about upcoming tours or awards nominations, as well as unique stories related to the music industry that align with his areas of interest.
Since Sam doesn't specify a geographic focus in his coverage attributes or article titles, it is likely he covers international music news without specific regional limitations.
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Uncut reports from the May 5, 2026 New York launch for the Rolling Stones' forthcoming album, Foreign Tongues
With an assist from MJ Lenderman, the New Orleans singer and poet fine-tunes his storytelling instincts against a backdrop of bracing heartland rock.
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible.
What do Bruce Springsteen and Neil Young have in common? Long-running legends, co-employers of guitarist Nils Lofgren, writers of songs called “Born
Read Sam Sodomsky’s review of the album.
By: Kiana Mickles, Alphonse Pierre, Heven Haile, Hattie Lindert, Nina Corcoran, Amy Haskour, Olivier Lafontant, Sam Sodomsky
This summer's lessons thus far are dire (avoid the lettuce stay inside ). This summer's song-of-summer lessons, thankfully, are far less restrictive: hit
For her third solo album, Phoebe Bridgers expands and contracts, capturing experiences that are strange, solitary, and hers alone.
When I started working in music media around 10 years ago, I thought Taylor Swift was underrated, which seems like a ridiculous statement to make now.
Kurt Wagner reinvents his band yet again, this time slimming down to a bare-bones acoustic setup and stripping away the studio artifice.
The 80-year-old musician's 50th studio album emphasizes atmosphere over songcraft, but its long, rambling tracks offer ample reminders of his melodic dexterity and lyrical gifts.
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