Armond White is a Film Critic at National Review. He focuses on the intersection of arts and entertainment, particularly within the realms of film and cinema, as well as theater, exploring the nuances of the film industry and the world of plays and musicals. Armond's insights and critiques have been featured in Knowledia, National Review, and MSN.
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Brad Pitt's man-bites-fans hit T he meme “Tell us you're a liberal without telling us you're a liberal” applies to Brad Pitt's rugged yet
A left-leaning poll creates a foul new canon. T hroughout the Aughts it was television, not movies, that routinely promoted the so-called values of the cultural establishment.
Media hacks fight fossil foolery and prefer Oscar bait. A lejandro González Iñárritu always makes bad movies ( Amores Perros 21 Grams Babel
A24's latest, Covid-esque media-studies creep-out I n the unfunny psychological satire Primetime , the NBC reality show To Catch a
Aaron Sorkin operates between ‘typage' and toadying. E ver since Aaron Sorkin wrote The West Wing (1999–2006), the talking-while-walking TV
The contradictions of a public-intellectual action flick.
Ken Russell's examination of power shouldn't be misunderstood, again. T he title of Ken Russell's The Devils refers to politicians and political manipulators.
William Greaves pays tribute to the legendary George Schuyler and friends.
When a mockumentary becomes class propaganda W hy does You Can See Everything take the Silicon Valley felon Elizabeth Holmes as its subject
Stephen Chow's Kung Fu Soccer upsets the gender game. T he Grandmaster of the football team in Stephen Chow's Kung Fu Soccer is a woman (portrayed
