Glasgow, United Kingdom (Local)
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David Kettle's coverage primarily revolves around entertainment news, particularly music and theater reviews. Given his focus on local events in Edinburgh and Scotland, he is likely interested in pitches related to upcoming performances, new talents emerging from the region, or unique cultural events taking place in these areas.
If you have a story about a musical performance or theatrical production happening in Edinburgh or involving Scottish artists that would appeal to local audiences while showcasing artistic excellence, David might be interested. Additionally, if you represent upcoming talent from the region or are involved with organizing cultural events in Edinburgh or Scotland, it could be worth reaching out to him for potential coverage.
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By: Lilia Foster, David Kettle, David Pollock, Joyce Mcmillan, Josephine Balfour-Oatts
In our latest Fringe theatre round-up, our critics review some inventive solo shows covering everything form forgiveness and corporate culture to Lawrence of Arabia, as well as an atmospheric show about werewolves and an anime-inspired showcase for the art of shadow puppetry
Take along your dancing shoes for this rousing, roof-raising collaboration between Glasgow's Wonder Fools theatre company and South Korea's Theatre
Barely contained in one of the bunkers tucked alongside the Pleasance's main Courtyard, a first-time production from three young mates blazes with
By: David Kettle
With its five-hour Angels in America , the International Festival has already hosted one production of epic proportions in Edinburgh this year.
By: David Kettle
Three shows about life and death - mainly death - reveal unexpected insights Ten Ways to Die Happy, Underbelly, Bristo Square ★★★★
By: David Kettle
Only the clowns are left running the show in US theatre maker Geoff Sobelle's vitriolic reflection on his home country
By: David Kettle, Jim Gilchrist
Our latest round-up of EIF music reviews includes a new work from a legendary minimalist composer that shows no signs of complacency, and an indubitably striking piece of weird, experimental folk.
By: David Kettle
The Edinburgh International Festival’s closing concert by the German capital's world renowned symphony orchestra always promised a powerful evening, and it did not disappoint, writes David Kettle
This concert made for intense and often demanding listening, but the musical connections forged between Sigur Rós and the SCO were a revelation, writes David Kettle
This concert made for intense and often demanding listening, but the musical connections forged between Sigur Rós and the SCO were a revelation, writes David Kettle
