Tryon, United States (Local)
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Evan Fitch's articles primarily focus on local entertainment and movie reviews. His coverage attributes highlight a significant emphasis on industry-specific content and seasonal topics, with a large portion of his work being review-based.
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This week at the Tryon Theatre is Pressure (Maras), a tautly constructed and tremendously well-acted period piece set in the final 72 hours leading up to D-Day. The film explores the integral role weather played in that crucial historical event.
This week, the Tryon Theatre presents Star Wars: The Mandalorian and Grogu , the latest theatrical chapter in the sprawling “Star Wars” universe and one that works delightfully well as a standalone story.
This week at The Tryon Theatre is “Masters of the Universe” (Knight 2026), a modern interpretation of the 1980's Mattel property, originally comics and toys, that birthed an animated series, and a 1987 live action feature film. For decades this franchise has been a hit with audiences, an admittedly cheesy world of fantasy, but one so self aware and winking with its silliness that the audience gets to laugh with it, not at it. This newest film is no departure from the established tone of the preceding works, positively steeped in charming goofiness, a delightfully unserious thrill ride. “Masters of the Universe” absolutely belongs under that increasingly combined umbrella of sci-fi and fantasy (replete with advanced technology, sorcery, and all manner of strange creatures), yet despite these genre trappings, this film is, above all else, a comedy. Not only does the film have explicit moments of comedy within the dialogue and narrative, it also hopes to engender laughter from the film's more “intense” moments too, leaning so heavily into the hyper stylized spectacle, that it also becomes a source of intentional humor.
This week, Tryon Theatre will feature “Disclosure Day” (2026), a thrilling and gripping film exploring the question of alien life on Earth. The subject explored in this film has long been precious in the heart of its director, Steven Spielberg.
This week, the Tryon Theatre will present “The Death of Robin Hood” (2026 Sarnoski), a somber and riveting examination of the man behind the myth, exploring Robin Hood's final days as he reminisces on his bleak life of violence and strife. Hugh Jackman assumes the mantle of this titular role, perfectly inhabiting the character and exemplifying his established capacities for both emotional depth and physical ferocity.
This week at the Tryon Theatre is “Toy Story 5,” the latest installment in the beloved franchise, adding another rewarding story to the over 30-year-long tale of Andy's favorite toys. This film is exactly what the audience wants it to be, with an immersive and creatively adorable world and a rewardingly kind and hopeful message.
This week, Tryon Theatre is featuring “Supergirl” (Gillespie 2026), the newest cinematic installment from DC Comics, recently revamped with last year's “Superman” film.
This week at the Tryon Theatre is “Minions & Monsters,” a delightfully silly and slapstick-filled film featuring the now-iconic Minion characters. These little yellow homunculi, first introduced in the 2010 film “Despicable Me” as lackeys of the evil genius Gru, are an immortal species of diminutive, pill-shaped creatures with giant mouths and big eyes, and a frenetically bouncy, zany energy.
This week at Tryon Theatre is “The Invite,” our official departure from fluffy summer fare, and a wonderfully entertaining step into deeper artistic waters. Olivia Wilde directs this film in her third and strongest-yet foray behind the camera, proving herself a truly talented and insightful filmmaker with this acclaimed title.
This week at the Tryon Theatre is “The Odyssey,” the long-awaited epic from acclaimed auteur Christopher Nolan, proving yet again that he remains one of modern filmmaking's greatest and most reliable directorial talents. That praise aside, Nolan's direction is not the only laudable quality of this film; its cinematography and acting also operate at the highest registers of artistic form.
