Sean Burns is a Film Critic at various prominent publications. His work spans a diverse range of topics including film industry insights, fine and digital art, as well as consumer travel and animal care. Sean's reviews, interviews, and essays have been featured in notable outlets such as EDUCAUSE, NPR Illinois, and RogerEbert.com.
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Sean Burns focuses on reviewing and covering local film events in the Boston, Massachusetts area. He particularly emphasizes American cinema, film editing, and retrospectives. If you have insights into local film industry events or can offer expert commentary related to American cinema or specific films being showcased in the Boston area, your pitches are more likely to catch his attention.
As a critic who provides opinions and exclusive coverage of cultural events, Sean may also be interested in receiving pitches that tie relevant societal or cultural topics with current films being featured at local venues.
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The first “Practical Magic” wasn't a critical or box office success when it was released in 1998, but director Griffin Dunne's adaptation of Alice
Amid all the sequels and CGI spectacle, it feels these days like Hollywood has lost the recipe for meat and potatoes. Thank goodness for indies, then.
Starring Robert Pattinson, director Lance Oppenheim's film goes behind the scenes of the “Dateline NBC” spinoff “To Catch a Predator,” a ratings bonanza that only lasted three years but seemed to play forever in reruns, "leaving a cultural footprint that’s more like a stain," reviews critic Sean Burns.
The pleasures and pressures of queer metropolitan life surface in the artist’s first UK exhibition, at the Courtauld Gallery
Go big or go home, gamblers like to say. You're not going to see performances bigger than the villainous turns delivered by two of our most beloved stars in films opening this weekend.
An offshoot of the annual springtime, multi-venue extravaganza, the Independent Film Festival Boston's Fall Focus is a partnership with the Brattle
By: Sean Burns
Have you ever looked at something so hard that you can't see it anymore? Or stared at it so intently that as you get closer it dissolves into an indistinguishable blur?
Never in my wildest imagination did I dream we'd see Ken Russell's original director's cut of his 1971 masterpiece “The Devils” showing at shopping mall multiplexes in all its unexpurgated, NC-17 glory.
Mentioning movie podcasts these days probably conjures mental images of sports guys ranking art into stats and brackets or dudes like me talking about “ Heat ” from our Blu-ray-lined man-caves.
Score one for the good guys. A team of employees and a loyal patron have purchased the Somerville Theatre building at 55 Davis Square, ending months
