Fiona Mountford is the Chief Theatre Critic at The i Paper. She specializes in arts and entertainment, with a focus on plays and musicals, as well as entertainment news and celebrity coverage. Fiona's work has been featured in Yahoo Sports Canada, The Telegraph, Yahoo News, Yahoo News UK, AOL UK, and MSN.
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United Kingdom (National)
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Fiona Mountford predominantly covers theater and entertainment news with a focus on play reviews, actors, musicals, and Shakespeare. Her coverage also includes seasonal content related to Christmas.
Given this focus, Fiona may be interested in receiving pitches related to upcoming theater productions, interviews with actors or directors involved in notable plays or musicals, insights into trends within the theater industry or expert commentary on the impact of current events on the performing arts.
Since her geographic focus is national (United Kingdom), consider pitching stories that are relevant to UK-based productions or involve British actors and directors.
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By: Fiona Mountford
The desire for jukebox musicals about groups and singers, from the Drifters to Michael Jackson, shows no sign of abating.
By: Fiona Mountford
Yet another jukebox bio-musical races through life events at such a pace as to leave no room for minor things such as characterisation
By: Fiona Mountford
For 17 years, Carlos Acosta , the most admired male dancer in generations, made the Royal Opera House his home, electrifying ballet audiences with his charismatic, high-bouncing mastery.
The desire for jukebox musicals about groups and singers, from the Drifters to Michael Jackson, shows no sign of abating. Whether Chaka Khan really has enough – including sufficient songs with recogni...
Watching this new production of Mike Leigh's beloved television play, I was struck by the deep repression of all three female characters
By: Fiona Mountford
Our fascination with the life – and death – of Marilyn Monroe shows no sign of ever abating, especially in this her centennial year, which means
By: Fiona Mountford
Pixie Lott leads a ‘wooden’ cast in Sharleen Cooper Cohen’s new play which is almost entirely devoid of energy
Our fascination with the life – and death – of Marilyn Monroe shows no sign of ever abating, especially in this her centennial year, which means that we have now arrived at pop star Pixie Lott playing...
In 2016, when The Children , Lucy Kirkwood's three-hander about the aftermath of a nuclear disaster, premiered at London's Royal Court Theatre , one of the actors forgot his lines.
By: Fiona Mountford
A cleverly staged 10th-anniversary revival of Lucy Kirkwood’s The Children cannot disguise the play’s flaws
