Nick Curtis is the Chief Theatre Critic at the Evening Standard. He specializes in arts and entertainment, with a particular focus on theatre, plays and musicals, as well as cultural movements and pop culture. Nick's work has been featured in prominent outlets including Yahoo News UK, The Telegraph, and The Guardian, showcasing his insights into the vibrant world of culture and society.
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London, United Kingdom (Local)
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Nick Curtis' coverage primarily focuses on entertainment news, particularly in the realms of film and theater. He frequently writes reviews and provides expert commentary on various productions and performances.
Given his predominant focus on local content in London, he may be more inclined to consider pitches related to events, shows, or personalities within the London entertainment scene. Additionally, he might be interested in receiving insights from experts with credible knowledge about the local film and theatre industry or specific productions taking place in London.
Consider reaching out if you have unique perspectives or access to behind-the-scenes information about theater productions, film releases, or trends within the vibrant entertainment landscape of London.
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August Wilson’s latest installment in his Pittsburgh Cycle is a look at black American lives in the 1950s
Stephen Mangan also stars in this bold restaging of Chekhov
By: Nick Curtis
In this raucous, arresting staging, Kristin Scott Thomas and Stephen Mangan join the ranks of those proving that Chekhov, like Shakespeare, can take rough handling.
At 88, Caryl Churchill is arguably Britain's greatest living playwright and it seems she may also be an agent of Transatlantic political change.
Anne-Marie Duff gives a fine performance of harried, slowly ramping desperation in this bleak drama about the hostility and unfairness women face in society.
OK, T.S. Eliot's 1935 verse drama about the killing of Archbishop of Canterbury Thomas Becket in 1170 is always going to be a niche sell, even with
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By: Nick Curtis
This reworked musical about a French peasant returning to his wife but suspected of being an imposter, is committed but over the top
This East London tale skips between the 80s and 90s to tackle issues of race and sexuality with verve and a eye for period details
At the Park Theatre, this adaptation of the life story of pianist Wladyslaw Szpilman and how he survived the Holocaust is affecting but flawed
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By: Nick Curtis
Hannah Reilly’s solo show can’t quite live up to the hype despite her outstanding performance
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