Hrag Vartanian is the Editor in Chief and Co-Founder of Hyperallergic. He focuses on various aspects of the arts, including fine art, urban and street art, digital art, and art dealing, while also engaging with politics and culture to highlight the interconnectedness of these themes. Hrag's work has been featured in Hyperallergic and WNYC.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
United States (National)
Not enough data
Hrag Vartanian’s coverage blends art criticism with event-focused reporting, especially around major exhibitions, biennales, and standout shows. He’s likely most responsive to pitches with a strong visual or cultural angle tied to timely exhibitions, emerging artists, or notable curatorial choices.
He also appears open to stories that connect art to broader cultural debates or public imagination, especially when there’s a distinctive point of view or a clear reason the project matters now. Since his focus is national, keep pitches relevant to the U.S. art scene and major U.S.-based institutions or events.
This information evolves through artificial intelligence and human feedback. Improve this profile .
Precious Okoyomon's new work transforms the concrete corner of the museum courtyard into a place of joy, exploration, and, dare I say, tranquility.
Alan Michelson's public art installation “The Oyster” on Governors Island conjures up the overlooked history of Indigenous shell middens.
But we never got to tell you what we really thought of the national pavilions, and which ones you should visit or avoid. As the punishing heat waves of this summer taper off, this might be the perfect time to visit the biennale, if you haven't already. Below is the first part of a conversation between Editor-at-Large Hrag Vartanian and critic Aruna D'Souza on which pavilions they liked, disliked, or remain torn about. They begin with a provocative argument in favor of national pavilions. Did they suddenly become nation-state stans? No, hold on, hear them out.
Guadalupe Rosales's memoir, Christine Sun Kim's artist book, Fady Joudah's ode to the people of Gaza, and Elizabeth Alexander's essay collection are among our most anticipated titles.
An infectious play by Sleth explores infatuation and fame through an imagined relationship between Hirst and his gay lover, a younger artist whose paintings consist of holes on the ground.
And some we're still ambivalent about. In the first part of this series, Editor-at-Large Hrag Vartanian and critic Aruna D'Souza discussed
Her new paintings remind us that the world is a room we share with strangers, most of whom are looking elsewhere.
Reigning diva Amygdala brings Brooklyn drag to Manhattan in “Pleasure Dome: Continuum,” a fête of therapeutic sound, vaudeville tributes, and queer politics.
Reigning diva Amygdala brings Brooklyn drag to Manhattan in “Pleasure Dome: Continuum,” a fête of therapeutic sound, vaudeville tributes, and queer politics.
The beauty of the Native artist's forms seduces, but the visual history of destruction is embedded into each element.
