Jim Allen is an Assistant Voices Editor at The Spokesman-Review. He covers a diverse range of topics including the film industry, cultural movements, and pop culture, often exploring themes within arts and entertainment, government and politics, and society. Jim’s work has been featured in numerous outlets, including Yahoo News, NPR, and The Seattle Times.
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Jim Allen's coverage predominantly focuses on sports, particularly baseball and local teams. His work also encompasses cultural events and human interest stories in Spokane, Washington.
Given Jim’s focus on event coverage and a wide range of topics including music, consider reaching out with pitches that provide unique angles or exclusive access to sporting events or athlete interviews. For example, offering insights from athletes or coaches involved in the covered games could be appealing to him.
Since Jim doesn't have a specific geographic focus but seems to cover mostly local news related to sports and culture in Spokane, it would be beneficial for pitches aimed at him to relate specifically to this area.
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The Heaters were "proof of concept" for groups like The Go-Gos -- but their unique power pop sound was just a shade ahead of the curve.
A series of interviews conducted at a nursing home has become a testament to connection.
The titles are the same. But did Michael McDonald pinch the track from 1962 crooner Chuck Jackson? You be the judge.
Remembering the moody magic of a bewitching folk-rock troubadour. What would it have sounded like if Tim Buckley and The Doors had spent an October afterno
Welcome to the third installment in our ongoing exploration of all things prog. We usually give that term the most inclusive interpretation possible; but this time around, we’re starting things off with the band that’s been the very definition of prog rock for as long as there’s ever even been such a thing. In other words, we’re going to be talking to
The late Patrick Haggerty is widely revered as the man who put queer country on the map with his band Lavender Country. The group’s self-titled 1973 album boasts frank, funny, unflinching songs about gay life delivered with a uniquely ‘70s, loopy, lo-fi grit. And while the increased visibility for queer artists making music is becoming more common in 2026, at the time few were aware of the band’s existence. And so when Lavender Country was finally reissued in 2014 it really put things in focus for a new generation of queer Americana artists.
As one of the groups to some out of Athens, GA, The Michael Guthrie Band mixed The Kinks, The Who, and more for a fun, power pop sound.
The Wildweeds tried to join the country rock scene of the 70s, but didn't quite catch the brass ring. Still, they left this banger.
J.J. Barnes deserved so much better. This undiscovered gem showcases a great R&B singer with a whole Marvin-like groove.
Confusing cover art and poor placement of their hookiest hit doomed Airwaves from ranking among the New Wave and pop-rock groups of the time.
