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Kyle Logan
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Kyle Logan

Contributing Writer

AS SEEN ON
ScreenAnarchy, Chicago Reader

Preston's Summary

Kyle Logan is a Contributing Writer at various platforms including Alternative Press and Looper. He specializes in film and television criticism, with a keen interest in horror, animation, and genre films created by queer individuals and women. Kyle's work has been featured in WALB-TV, WTXL ABC 27, and the Chicago Reader, among others, showcasing his dedication to arts and entertainment.

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Geo Focus

United States (National)

Coverage Attributes:

Beta
Opinion: 42 %
Reviews: 39 %
Informative: 11 %
Interviews Q&as: 4 %
Events: 1 %

Themes Covered:

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Most Recent Topics:

  • Film Industry
  • Filmmaking

Pitching Insights

Kyle Logan's articles primarily focus on movies, film reviews, actors, box office performances, and directors. He frequently covers event-related content and provides movie reviews. Given his coverage attributes and topics covered, he would likely be interested in pitches related to new movie releases, exclusive interviews with actors or directors, behind-the-scenes insights into the film industry events such as award shows or festivals.

For entertainment news-focused pitches related to movies that align with Kyle's coverage area could also resonate well. This may include trends within the film industry or human interest stories involving prominent figures in the entertainment world.

Considering Kyle Logan doesn't have a specified geographic focus; relevant pitches from any location are likely to capture his attention if they align with his areas of interest.

This information evolves through artificial intelligence and human feedback. Improve this profile .

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Articles

Chicago Reader

Review: Leviticus

Review: Leviticus

By: Kyle Logan

As a snappy description, “ It Follows but gay” isn't quite fair to Leviticus , but there's no way for writer-director Adrian Chiarella's feature

Chicago Reader

Review: Her Private Hell

Review: Her Private Hell

By: Kyle Logan

Her Private Hell is certainly not an accessible crowd-pleaser, but those already devoted to Refn and proponents of “style is substance” will find much to adore here. R, 109 min.

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