Boston, United States (Local)
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Lee Eiseman's articles predominantly cover classical music and concerts, with a focus on the Boston area. He is likely to be interested in pitches related to upcoming classical music events, exclusive interviews or insights from prominent figures in the local music scene, and unique angles on performances or musical compositions.
Given his extensive coverage of industry-specific news and expert commentary, Lee may appreciate pitches that offer insider perspectives from musicians, conductors, composers, or other key players within the classical music community. Additionally, he might be open to pieces discussing investment analysis as it pertains to the classical music industry.
Considering his local geographic focus on Boston and Massachusetts, targeted outreach relating specifically to this region’s classical music scene will likely yield better results when pitching story ideas.
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From the balls-out accelerations in the well-oiled machinery of Rameau’s harpsichord extravaganza to the high-arched hand crossings in Philip Glass's Mad Rush, Simone Dinnerstein reigned as the queen of nuance and incantation over a freshened-up Shalin Liu Center’s loyal subjects. A brilliant and ch
By: Lee Eiseman
Favorite son pianist Eric Lu brought his Chopin Competition Gold Medal technique and sensibilities to a warmly introspective take on the Chopin Piano Concerto No. 2 in the Koussevitzky Shed yesterday; which conductor Fabio Luisi and the BSO followed his every nuance. We reveled in the acoustics, les
Music Director Christopher Wilkins led a 200-strong ensemble through an exceptional night: Verdi's Manzoni Requiem and Randall Thompson's
The young but already distinguished Taiwanese-American Han Chen traced a programmatic arc rising from intimate farewells through well-chosen and
Massachusetts Chamber Music Artists’ “Crossroads” offered an eclectic assortment of piano trios by Chebotaryan, Piazzolla, and Brahms at Follen Church on Saturday evening.
Boston Lyric Opera is about to revive Rossini’s William Tell an irresistible French-language rarity (libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play Wilhelm Tell) at the Colonial Theater for four performances between September 25th and October 4th. Tickets
His energized, engaged, and romantic account of Haydn’s Die Jahreszeiten with the BB Period Orchestra and Chorus fully justified the high level of anticipation for the eminent French conductor Marc Minkowski’s debut as music director of Boston Baroque.
His energized, engaged, and romantic account of Haydn's Die Jahreszeiten with the BB Period Orchestra and Chorus fully justified the high level of
The Allemanian military has forbidden the color red to the Helvetian peasants (as well, apparently, as any colors whatsoever for those good guys) in
Completely packed with a young-trending audience, Symphony Hall erupted into an unbridled lovefest including hoots and screams for piano-soloist Seong-Jin Cho soloist and long upright cheers for Andris Nelsons. He acknowledged us by pointing to his own red rose and to those in the audience before taking a mock cell phone shot of the house while the entire orchestra stamped its feet in accord. Rachmanomania contributed to the fervor.
