Philip Sherburne is a Contributing Editor at Pitchfork. He specializes in the music business, music genres, concerts and festivals, and nightlife, drawing on his extensive experience in arts and entertainment. Philip has been featured in Futurism Restated, Pitchfork, Condé Nast Traveler, and Thrillist.
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Philip Sherburne predominantly covers event announcements, press releases, and private sector announcements related to music and entertainment news. His coverage also includes gaming-related content such as indie video game scores.
Given his focus on event coverage and private sector announcements in the music and entertainment industry, he may be interested in pitches related to exclusive artist interviews, album launches, or behind-the-scenes insights into major events or developments within the industry. Additionally, given his interest in gaming-related content, he may also be open to pitches on innovative or significant developments within the gaming world that intersect with music or sound design for games.
Since Philip does not have a specific geographic focus mentioned but has covered international artists and events before, consider providing him with global perspectives when relevant to the topics being covered.
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18 tracks of wackadoo samples, cheeky edits, and, why not, animal noises
Everything else is merely narcissism
New music from Jim O’Rourke, Oren Ambarchi, Shane Parish, and more
Read Philip Sherburne’s review of the album.
The L.A. electronic improviser brings it all together on his latest album, Edge Conditions
Patching in audio logos and advertising dialog without interrupting the dreamlike sampledelic flow, the Australian band's new album summons nostalgia for the era of truly mass media.
New music from Marina Herlop, more eaze, Grouper, and more.
Five killer DJ sets— Ibiza floor-fillers, psychedelic brain-teasers, crate-digging cumbia, and more
Brian Leeds—aka Huerco S. and Pendant—brings new energy to minimal tech-house
A bonus roundup of deep house, minimal techno, leftfield footwork, and more.
