Philip Sherburne is a Contributing Editor at Pitchfork. He specializes in the music business, music genres, concerts and festivals, and nightlife, drawing on his extensive experience in arts and entertainment. Philip has been featured in Futurism Restated, Pitchfork, Condé Nast Traveler, and Thrillist.
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Philip Sherburne predominantly covers event announcements, press releases, and private sector announcements related to music and entertainment news. His coverage also includes gaming-related content such as indie video game scores.
Given his focus on event coverage and private sector announcements in the music and entertainment industry, he may be interested in pitches related to exclusive artist interviews, album launches, or behind-the-scenes insights into major events or developments within the industry. Additionally, given his interest in gaming-related content, he may also be open to pitches on innovative or significant developments within the gaming world that intersect with music or sound design for games.
Since Philip does not have a specific geographic focus mentioned but has covered international artists and events before, consider providing him with global perspectives when relevant to the topics being covered.
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The New York-based producer's ambient dub techno has a sublime glow, even when it's just drifting in place. Trending Now
A candid interview with the artist behind one of dub techno’s most cryptic entities.
Catch up with Topdown Dialectic, GB, Lifted, Smalltown Supersound, and Play Time
New music from Jonny Nash & Tomu Katsurada, Sofie Birch, Gi Gi, and more
New music from Akusmi, Duffy x Uhlmann, and Bill Orcutt, plus other sounds for disappearing stars.
Notes on electroclash, the motley sound of a mischievous era
On a brief and breezy new album, the Los Angeles producer offers amorphous ambient pop songs filled with retro trappings, like a soundtrack to an imaginary city of perpetual dusk.
Grief, mischief, and my obsession with Kurt Wagner’s extraordinary new album
By: Philip Sherburne
“It’s better to be connected than isolated”
Read Philip Sherburne’s review of the EP.
