Aidan Moffat and Malcom Middleton go big with an album of disco-inflected rock and stadium-filling tunes, but it's the smaller, more vulnerable moments that make their music special, finds Zara Hedderman
Robert Barry is a journalist at various publications including Jacobin Magazine, The Wire Magazine, and TransportTalk.co.nz. He has been reporting on the Australasian automotive and transport sector since 2003 while also engaging with themes in arts and entertainment, particularly focusing on music genres, the film industry, and filmmaking. His work has been featured in notable outlets such as ArtReview, FleetTalk, and The Quietus.