André Hereford is a journalist at Metro Weekly. He covers a diverse range of topics within the arts and entertainment sector, including theater, film and cinema, fine art, and celebrity news, with a particular focus on plays, musicals, and comedy. André's insightful commentary and reviews have earned him features in various prominent outlets, including Metro Weekly.
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Washington, D.C., United States (Local)
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André Hereford's coverage predominantly consists of entertainment news, particularly album reviews and expert commentary on music-related subjects. Given this focus, he may be interested in pitches that offer unique perspectives or insights into the music industry, including new releases, artist profiles, and trends within the sector.
Considering his expertise in providing reviews and expert commentary focusing on local (Washington D.C.) entertainment events and productions might increase visibility for your pitch. Offering exclusive access to local artists or behind-the-scenes stories related to concerts or album launches could be appealing to André.
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The flatly acted queer Aussie neo-noir "Body Blow" gets lurid and twisted, but not in the way we like it.
An '80s suburban family faces rampaging dinosaurs in David Robert Mitchell's suspenseful sci-fi survival thriller.
Theater Alliance’s outdoor production celebrates the folk legend’s enduring music and message, even when the drama falls short.
In Rio, the global HIV community warned that lifesaving breakthroughs mean little if the people who need them cannot access them.
Keegan Theatre’s uneven but affecting production traces a lifelong friendship shaped by love, loneliness, and pain.
The bisexual rapper talks life after being outed, his new album It’s Been Awful, and why he won’t disappear for another five years.
Christian Montgomery’s electrifying Frank-N-Furter powers a fun, frisky, and immersive production at Dance Place.
The queer filmmaker turns the past into vital cinema, from the civil rights thriller "By Any Means" to the house music doc "Move Ya Body."
On Big Brother, Jason De Puy stepped out of drag, missed his queer community, and began imagining a career beyond Salina EsTitties.
Sondheim's Merrily We Roll Along tells a sardonic tale of friendship and regret, recounted backward through time.
