André Hereford is a journalist at Metro Weekly. He covers a diverse range of topics within the arts and entertainment sector, including theater, film and cinema, fine art, and celebrity news, with a particular focus on plays, musicals, and comedy. André's insightful commentary and reviews have earned him features in various prominent outlets, including Metro Weekly.
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Washington, D.C., United States (Local)
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André Hereford's coverage predominantly consists of entertainment news, particularly album reviews and expert commentary on music-related subjects. Given this focus, he may be interested in pitches that offer unique perspectives or insights into the music industry, including new releases, artist profiles, and trends within the sector.
Considering his expertise in providing reviews and expert commentary focusing on local (Washington D.C.) entertainment events and productions might increase visibility for your pitch. Offering exclusive access to local artists or behind-the-scenes stories related to concerts or album launches could be appealing to André.
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An ambitious blend of doomsday dread, political satire, and absurdist comedy becomes a frustrating intellectual exercise.
Mahershala Ali wields a mean blade as a devout Muslim hitman in Bassam Tariq's distinctive action-drama.
Spooky Action Theater's engaging feminist fable reframes the Arabian Nights with bawdy tales and a strong ensemble.
Brendan Haley's queer horror film gets too hung up on corporate schemes and couple drama to bring the heat.
Walcott's documentary follows an intergenerational drama therapy group confronting internalized queerphobia and finding connection.
Keegan Theatre's spirited cast rocks The Bengsons' stirring folk score but can't quite capture the life-affirming love story at its heart.
The D.C.-based actor talks "Merrily We Roll Along" at Signature Theatre, stage fright, stripping down onstage, and getting married.
Tom Rhys Harries and Naomie Ackie bring heart to DC's gruesome thriller, pairing R-rated body horror with an unexpectedly affecting romance.
Theater J pairs striking aerial work with a portrait of Marc Chagall and Bella Rosenfeld's romance that lacks the passion of his paintings.
Iron Crow's "Rocky Horror" christens its new Baltimore home with commanding vocals, playful debauchery, and a few musical misfires.
