Bubba Weiler’s new play about two altar boys at a crossroads includes several beautiful performances, even when the line between sweetness and treacle blurs.
Helen Shaw is a Staff Writer at The New Yorker, focusing on theater and the broader arts and entertainment landscape. She covers topics such as plays and musicals while also engaging with themes of health and wellness within the arts. Helen's work has been featured in numerous outlets, including The New Yorker, The New York Times, and Vulture.