Jackson McHenry is a critic at Vulture and New York Magazine. He focuses on arts and entertainment, with a particular emphasis on plays, musicals, pop culture, and celebrity news. Jackson's work has been featured in MSN, Vulture, and Magzter.
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United States (National)
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Jackson McHenry’s coverage is heavily centered on theater, with occasional entertainment and pop-culture pieces, and a strong mix of opinion and reviews. He seems most likely to respond to pitches tied to stage productions, especially those with a timely angle, a sharp point of view, or a clear reason why the work stands out now.
He regularly covers new and upcoming shows, so outreach around openings, major casting news, creative shifts, or notable trends in the theater world may land best. He also appears open to broader entertainment stories when they connect back to stage culture or have a distinctive cultural hook.
His focus is national in scope, so pitches should be framed for a U.S. audience.
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Her new show at the Lortel is informed by an intense medical experience.
On set for the battle that marks the beginning of the end for House of the Dragon
On set for the battle that marks the beginning of the end for House of the Dragon.
The stage version of the horror classic knows what its audience wants, even if the experience feels a bit too normal at times.
In its assured second season, the FX comedy graduates from imitating a great hangout sitcom to actually being one.
In the process of developing their FX sitcom Adults , the show's creators Ben Kronengold and Rebecca Shaw got advice from Dave creator Lil Dicky: Make
“We’ll do you one better than a threesome: We’ll raise it to a foursome with a possum.”
Including Julia Louis-Dreyfus's Broadway debut and the return of Spring Awakening
Including Julia Louis-Dreyfus’s Broadway debut and the return of Spring Awakening and In the Heights.
At certain less glorious moments in my career in journalism, I've neared the deadline of a piece I've hit a wall on and fallen back on the old trick
