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Richard Brody
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Richard Brody

Film Critic

AS SEEN ON
The New Yorker

Preston's Summary

Richard Brody is a film critic at The New Yorker. He covers a wide range of topics within the film industry, including blockbusters, international films, independent cinema, and documentaries, while also exploring the works of influential directors like Jean-Luc Godard and Wes Anderson. Brody is featured in The New Yorker and is the author of “Everything Is Cinema: The Working Life of Jean-Luc Godard,” with a forthcoming book on the French New Wave's lasting influence.

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Geo Focus

New York, United States (Local)

Coverage Attributes:

Beta
Opinion: 37 %
Reviews: 33 %
Informative: 28 %

Themes Covered:

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Most Recent Topics:

  • Film Industry
  • Filmmaking
  • Fine Art
  • Authors
  • Books
  • Publishing Houses
  • Animation
  • Art Dealing

Pitching Insights

Richard Brody's coverage spans a variety of cultural topics, including film, literature, music, and polyamory. His focus on entertainment news and culture & society suggests he may be interested in pitches related to profiles or reviews of new works in these areas.

Brody appears to have an interest in exploring evolving cultural phenomena such as the popularity of polyamory. Therefore, he might be receptive to pitches that offer unique perspectives on emerging trends and their societal impact within the realms of film, literature, music or broader social contexts.

Given his national focus on the United States and his broad range of interests spanning different facets of culture and entertainment news - there is an opportunity for experts across various fields who can provide valuable insights into contemporary cultural phenomena or specific works within these domains.

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Articles

The New Yorker

Kacey Musgraves, Crossover Queen

Kacey Musgraves, Crossover Queen

By: Rhoda Feng, Brian Seibert, Sheldon Pearce, Jane Bua

In the past few years, country music has reëxerted its sway on the pop-music charts and the broader Zeitgeist they reflect, but the genre's greatest

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